I have had the good fortune to serve on the Frank Lloyd Wright Building Conservancy Board for the last three years, and this has availed me of several opportunities to tour this great architect’s work.
The living room in Robie House, Chicago, shot by my daughter Felicity.
Everyone in every borough goes to the Met, right?
I was going to write a blog about the Lucas Museum of Narrative Art, now that I have been on hand to witness its demise on two waterfronts, one saltwater, one freshwater. I spoke to fierce advocates, including a friend who was on the committee that selected the Chicago site south of Soldier Field. I wondered why advocates had not developed a clear vision of what the museum was supposed to be, and I wondered whether lakefront museums designed for international tourists ever really serve the local population. Continue Reading
Nothing to see here, move along, please.
In my last blog, I took the new leaders of historic Oak Park to task for forgetting why the Village is an attractive place and proposing the demolition of three nice old buildings (one of which definitely rates as a landmark) on Madison Street. The proposed demolition is part of a road-bending plan that completely redeveloped several blocks. Continue Reading
Oak Park Avenue in the 1970s
Well I have been back in Oak Park for over half a year now, and it just got listed as the coolest suburb in the Chicago area, in large part for its incredible historic architecture (over two dozen buildings by Frank Lloyd Wright – more than ANYWHERE, and tons more by other Prairie architects) and a rising restaurant and nightlife scene.
Full disclosure: Four years ago, I was the Historic Preservation consultant for the Julia C. Lathrop Homes in Chicago, a very important 1937 federal housing project. This past Thursday the Chicago Plan Commission approved the current plan for the project, which I ceased to work on when I left Chicago in July 2012. I took the opportunity to compare the plan to my April 2011 Preliminary Report and to the project at the time I left.
I am barely back in Chicago and another great Modernist masterpiece is going down. I just reviewed the 372 page RFP for the demolition of Malcolm X College on the Near West Side, a 1971 Miesian design by Gene Summers, and generally considered his best building after his McCormick Place of the same year. Summers had been Mies van der Rohe’s design assistant on the Neue National Gallery in Berlin. Here is the beauty of the facade. I was interviewed by the great Lee Bey on his podcast regarding this.
Last week. Maybe next week too.
It has been 13 months since I last blogged about the Farnsworth House (Ludwig Mies van der Rohe, 1951). In that blog I detailed the various options that had been studied to try to conserve the house despite the increased flooding of the Fox River at its location near Plano, Illinois. Continue Reading
Last week in Colorado I showed two slides of the Farnsworth House, which I have been blogging about for a dozen years. The first image came in the section of my talk about the Threats to our Heritage, such as Climate Change. I had also showed images of it earlier in the week, when I participated in a Climate Change and Cultural Heritage conference in Pocantico, New York, with a whole variety of players, from colleagues at the National Trust for Historic Preservation, National Park Service, Society for American Archaeology, World Monuments Fund, English Heritage and many other, collected together by the Union of Concerned Scientists. So here is the first slide, which is Farnsworth House experiencing a “100-year” flood for the first of three times in the last eight years. Continue Reading
Thanks to my dear friend Lisa Yun Lee I had the opportunity to tour three of Theaster Gates’ urban building projects on the South Side of Chicago yesterday. Gates has degrees in urban planning and ceramics, and is described as a social practice installation artist. He preserves old buildings in a creative repurposing for the local community. His work is not standard preservation, but I think that is a good thing. The first project I saw was the Stony Island Arts Bank, a 1923 Classical bank I watched deteriorate for decades. He saved it. Continue Reading