Twelve years and 502 blogs ago, I began “Time Tells” – my little blog about heritage conservation, architecture, planning, technology and economics. I have moved three times in those dozen years and now live in San Antonio, one of the pioneering preservation places in the United States.
Last week. Maybe next week too.
It has been 13 months since I last blogged about the Farnsworth House (Ludwig Mies van der Rohe, 1951). In that blog I detailed the various options that had been studied to try to conserve the house despite the increased flooding of the Fox River at its location near Plano, Illinois. Continue Reading
President Lincoln’s Cottage, Washington DC
Last week in this blog I presented some concepts on how we can create a more democratic, diverse and inclusive heritage conservation in the United States, largely by applying the lessons of international heritage conservation over the last twenty years, notably the Burra Charter. Preservation is a process, not a set of rules. Continue Reading
Shall I compare thee to a summer’s day? Thou are more lovely and more tempered…
I have been involved with Mies van der Rohe’s famous Farnsworth House in Plano, Illinois for over a decade. I recall vividly the day (December 12, 2003) Landmarks Illinois and the National Trust for Historic Preservation successfully bid on the house at Sotheby’s in New York, saving it from the possibility of being dismantled and moved to another place. Like all great architecture, the Farnsworth House was designed for its specific location along the Fox River, and this context is part of its significance. Continue Reading
I was at a meeting of the National Trust and several citizen preservation groups in Monterey concerned about the future of the Cooper-Molera Adobe, a house museum in Monterey, one of the treasures of California’s Spanish capitol. I blogged about Cooper-Molera two and a half years ago here, and what I said remains true – the site has been largely shuttered due to state budget cuts, cuts which are not going to be reversed.
When the National Trust announced it was working with a developer to come up with restaurant and other commercial uses at the site, there was a fair amount of community uproar, especially among volunteers who felt the site should stay interpretive. And this debate: “Commercial versus Interpretive” was still active when I was there last month. And it is a false dichotomy. This is NOT an either-or situation. It is a both-and situation. Continue Reading
with Anthea M. Hartig, PhD
My friend and colleague Dr. Anthea Hartig, who last year became the Executive Director of the California Historical Society, asked the provocative question: What is a Historical Society in the 21st Century? Good question. What does it mean? And what has it meant? I asked for her help answering this question and got it…. Continue Reading
An article in the Washington Post yesterday described the economic challenges facing great European landmarks and how many are turning to corporate sponsorships and licensing deals to help defray the costs of maintaining ancient buildings. This practice in turn has caused criticism from those who feel it is wrong to “sell” your collective heritage. Continue Reading
In the past I have written about the challenge of house museums. See House Museums and Ultimate Use. Almost a decade ago, the National Trust – which was basically created by Congress in the 1940s in order to receive houses and turn them into museums – started to discuss the end of the house museum as we know it. No more velvet ropes and stilted ossified stories of wealthy Victorians and the silver service they used when the Admiral visited. Continue Reading
There it is. My perfect Greek temple, the ultimate expression of art in nature, of architecture. Mies van der Rohe’s Farnsworth House. Great art and great architecture work like this: you can visit it a hundred times and you see something new, learn something new, feel something new every single time. I discover it every time at Unity Temple and every time at the Farnsworth House. In the video we show visitors, John Bryan says there is no building more important in modern architecture. Dirk Lohan calls it a poem. It is a beautiful and perfect chord, a wonderful harmony of steel and glass and white and light wood and it floats above its site, resting loosely on the world, ready to rise like sound. Continue Reading