The San Antonio Conservation Society was at the cutting edge of heritage conservation in 1924, focusing not only on buildings but the cultural landscape, including “customs” that we now call intangible heritage. This week, San Antonio remains at the cutting edge of the heritage conservation field.
This year marked both my first rodeo and my first Fiesta, which is San Antonio’s 126-year old celebration of the Battle of San Jacinto. The greatest party during the 10-day Fiesta is the San Antonio Conservation Society’s A Night In Old San Antonio®, which runs four consecutive nights.
Project Row Houses by Rick Lowe – I finally saw it 20 years after I met the man.
Well, it finally started to happen, and in Houston of all places. PastForward, the National Preservation Conference of the National Trust for Historic Preservation, witnessed the emergence of the next generation of “preservation” practitioners and highlighted the future of the movement. Featuring inner-city artists who save places like Houston native Rick Lowe and Chicagoan Theaster Gates, it felt to many of us like the movement had finally turned the corner and embraced the future. Continue Reading
This is the Malt House in San Antonio. Dating to 1949, it is the classic car-service restaurant, known for its malted milkshakes. Generations experienced their localized version of American Graffiti with Mexican and American comfort food and the best malts in town. Continue Reading
Last weekend was the first annual World Heritage Festival here in San Antonio, celebrating one year since the inscription of the San Antonio Missions as a World Heritage Site. Having spent my career in heritage, this is exciting for me because now I live, work and play in a World Heritage site for the first time in my life. Continue Reading
Slimp Oil, 604 Carolina
Back in 2008, the National Trust for Historic Preservation held a national contest called “This Place Matters” where people voted on sites that mattered to them – to their history, their identity and their community. As I noted in my blog at the time, the winner was not a grand mansion or a pathbreaking design by a famous architect. Continue Reading
“The entire mix of cultures was their birthright, the soul of their home city, and it was not to be taken away. Their goal became the saving not only of landmarks but of traditions and ambiance and natural features as well, the preservation of no less than San Antonio’s entire cultural and natural environment.”
Lewis F. Fisher, Saving San Antonio, p. 91-92 Continue Reading
The Mission, recently
Heritage conservation is about place even more than buildings, which are large and important but not exclusive constituents of place. “If these walls could talk” is also true of streets (I did a course for over a decade called “If These Streets Could Talk”) and sidewalks and trees and mountains and streams and streetlamps benches and on and on…. You also have certain places that have an enduring character despite the passing of decades and technologies, these places just seem to imbue activity in a similar way over time, causing us to assign that “character” to place. Continue Reading
My favorite example: where Ralph Ellison wrote Invisible Man. Authenticity? Integrity?
I will presenting at the 7th National Symposium on Historic Preservation Practice this weekend at Goucher College, on the Diversity Deficit and the National Register of Historic Places. I have written often about this subject over the last five years, but lately my recommendations are getting more specific. One of those has to do with the concept of Integrity, which I have previously proposed needs to be replaced with Authenticity. Continue Reading
I recently saw the report of a “phylogenetic” study of fairytales that determined that some fairytales were 6,000 years old, reaching into the Bronze Age. We have long known that certain tales – Cinderella, Beauty and the Beast, flood myths – are shared across hundreds of cultures and geographies. I read the report (linked here) the same day I went to see the ancient Greek show at the Field Museum, where many tales are illustrated in the more durable forms of pottery and stone.