So much has been written about New Orleans. My brother sent a link to a Joel Garreau (Edge City) article in the Washington Post that basically says New Orleans is gone. Sure, the high ground of the Crescent City with its historic districts will still be there for tourists, but the low-lying poverty areas would likely be bulldozed. He also notes that the historic reasons for the city – the port – is no longer in the city. Garreau makes some good points and several people have expressed concern that the rebuilding of New Orleans will turn it into a theme park, or that rich people and a homeless Trent Lott will swipe up all the ocean view property at disaster prices and use FEMA and Halliburton to rebuild it and make a quick killing in real estate, leaving the former poor out of a new cleaner, safer, more boring New Orleans. Continue Reading
Katrina has devastated New Orleans, a unique American city, unprecedented and unparalleled in its cultural heritage and central to the history of historic preservation. New Orleans preserved landmarks before almost any other city in North America, and it preserved historic districts before any city here save Charleston. In its integration of architecture and culture it even suggested that preservation was about more than buildings: a blend of music and the peoples and practices of three continents stirred into an intriguing and attracting mix. Now, more of it is gone that we yet know.
Several alert historic preservation alumni sent me this clipping a couple of weeks ago. Turns out the house that Grant Wood used in his famous painting “American Gothic” is threatened with demolition, according to Harry Mount, a writer in Eldon. Not only is the little white cottage with the big Gothic window is empty, boarded-up, and being offered by the State Historical Society for $250 a month, but there is little interest. One neighbor wanted to tear it down in the 1960s but balked at the $200 purchase price. Continue Reading
Time tells. That also means time counts. It means you should preserve your history and when I say it I mean the messy history of what happened not the neat history of whatever today’s ideologues need or “heritage” which is a shorthand for freebased history, an identity narcotic extracted crushed refined and distilled from real history. Real history is what happens in time and over time and that never works for systems like ideology or politics because systems are static and history is dynamic. Continue Reading
Vince Michael from The School of the Art Institute of Chicago will soon be blogging regularly! Check back very soon!