Most of my four decade career in heritage conservation has followed the arc away from the preciousness of the museum and toward what my old friend Randy Mason would call “values-centered preservation” – what the new generation calls “human-centered.” Yet the old stereotypes persist. Last Thursday I again heard that preservation meant you had to use the same kind of wood and you had to use only certain paint colors. Fortunately, many in the room realized those two statements were not true in almost every situation, so I did not have to explain it alone.
Twenty years ago I presented my first illustrated rant about restoring and replacing windows. It is the one arena where I exhibit preciosity, but it is also just simple good sense – you can’t make a new window as good as the old ones. The wood doesn’t exist. The rant followed a meeting with a collection of downtown building owners in Chicago who complained that if they were landmarked they would have to replace their windows with wood windows.
Twenty years ago, my reply: IF you can’t keep your original windows, I DON’T CARE if the new ones are wood, metal, graphite or even plastic as long as they look like the original ones. And paint color? There are HOAs that mandate paint color, but generally historic districts and landmarks DO NOT. I used to teach the famous San Antonio case of Sandra Cisneros (originally from Chicago) who got in trouble for painting her house a wild periwinkle color, but she won in court anyway and there are almost no places that regulate paint color, including here.
At The Conservation Society of San Antonio we have approved building grants in historic districts which use modern polymers rather than wood for front porch decking. I saw these products at the Historic Homeowner Fair years ago and I like them for a couple reasons.
Firstly, as with the windows, save the original, dense, fine-grained historic wood if you can. If you can’t, find something that lasts. Modern wood is rarely straight, never dense, and prone to decay. Secondly, this is South Texas where wooden porches are the sun’s favorite snack.
A major goal of heritage conservation is to keep existing structures around by repurposing them for the future. 95% of historic preservation is REHABILITATION – not restoration. There are a few museum structures that should be treated with utmost care and preciosity, but 19 out of 20 times that is not the goal. It isn’t even the goal for “museum” sites. My dear late friend Jim Vaughan wrote a great article in 2008 “Rethinking the Rembrandt Rule” that argued we have to stop treating every item in the museum as a Rembrandt. That is especially a problem in house museums, whose collections would be best preserved if they were NOT in an old building that we are also trying to preserve.
Moreover, if everything is “hands-off” there will be no hands raised when the site needs saving. That’s the point of human-centered preservation. Preservation is a community deciding what elements of its past it wants to bring into the future. AND the best way of doing that.
In the everyday, the prime directive for us is to help buildings, structures and sites survive to the next generation. That generation will have to save them again anyway. And they might decide to restore some to a museum standard. If we save them, even imperfectly, the next generation will have that option.
Previous window rants can be seen here, and here, and here, and here for starters….
Unfortunately, that’s not the former brightly-colored home of Sandra Cisneros. The address is 735 E. Guenther, where Barbe intersects with Guenther. It’s also in the OHP’s guides for historic districts as a “what not to do” for landscaping.
Thank you it is fixed now