Aaronetta Pierce, a lion of civic life and civil rights in San Antonio, was named one of the Tri-Chairs of the Alamo Citizens Advisory Committee last week. Shortly thereafter we learned that Council Member Roberto Trevino had been replaced on the management committee for the Alamo by Council Member Rebecca Viagran, a descendent of Tejano Alamo defender Toribio Losoya. Dr. Carey Latimore was also appointed to the Citizens Advisory Committee following his detailed study of Civil Rights around Alamo Plaza, specifically the famed lunch counter integration of 1960 – the first peaceful and voluntary integration of lunch counters in the South during the Sit-In movement.
The Mayor made it clear that the buildings facing the Alamo chapel/shrine – the Crockett, Palace and Woolworth Buildings – are to be saved. This is huge news and a validation of the position taken by the Conservation Society in the fall of 2015. It is also huge for our Coalition for the Woolworth Building, formed in 2018 and including the aforementioned Aaronetta Pierce. The milestones of the Coalition: State Antiquities Landmark status in May, 2019; the release of a plan showing how to repurpose the buildings that same month; a prize-winning ofrenda honoring civil rights leader Mary Lilian Andrews in October 2019 and the listing of the Woolworth Building later that same month as one of only 3 U.S. buildings on the World Monuments Watch List 2020, have now come to fruition. A year ago we held a Donut Day at the Woolworth and then an all-day seminar on the role of Alamo Plaza in Bexar County’s Civil Rights history. We spent the pandemic year continuing to lobby, collecting video testimonials and crafting a series of short videos about the lunch counter integration that are now in production.
The Mayor is also revisiting a few more ill-conceived and unpopular elements of the 2018 plan, including lowering the plaza (which makes the archeologists CRAZY) and permanently closing the streets (which makes the businesspeople CRAZY). San Antonians have heaved a sigh of relief as the Alamo plan enters a new era that will remember the long arc of its history by preserving all of its layers and getting comfortable with the fact that it is in the middle of a city.
And soon we will reveal the story of a young black man who ate lunch at Woolworth’s on March 16, 1960.
“Conservation means all of the processes of looking after a place so as to retain its cultural significance.”
“Cultural significance is embodied in the place itself, its fabric, its setting, use, associations, meanings, records, related places and related objects. Places may have a range of values for different individuals or groups.”
This is from the document I consider the northstar of my field, the Burra Charter. While we call it historic preservation in the U.S., I have argued for a dozen years that it is in fact heritage conservation. It is not a set of rules or standards. It is a process.
The process whereby a community determines what elements of its past it wants to bring into its future. The community must determine what is significant, how significant it is, and how it should be conserved and treated in the future. Professionals can help the community do this, but they have to do it or it is worthless.
The quotations above from the Burra Charter illustrate that heritage conservation is a process, and that different types of resources follow different types of rules. The quotation also iterates a concept that we in the United States call integrity but elsewhere is authenticity.
That is because integrity tends to be a mechanistic and formalistic concept that reinforces the primacy of materiality. It doesn’t have to be so. Integrity’s seven aspects include feeling and association and I have been involved in the effort to redefine integrity in order to diversify heritage conservation and preserve the full range of our history.
I am currently Co-Chair of the Diversity, Inclusion and Racial Justice Working Group, part of a partnership between the National Trust for Historic Preservation and the National Preservation Partners Network. Our field is still clogged with the remnants of a history that empowered white males to the exclusion of others, and integrity aided and abetted that exclusion.
How do you define the integrity of a building that housed decades of history for a marginalized community? Shouldn’t it in fact illustrate the fact that it survived on the margins of the power structure and economic hegemony? Doesn’t the fact that it lost its cornice or replaced stone with brick in fact define its cultural significance?
Following years of work on this issue, I wrote a paper that became a book chapter published in 2018 that dove fairly deeply into the specific mechanics of integrity and diversity – the bottom line is that the preservation world has much to repair in its relation to the whole of history and the whole of the country. Recognizing the bias in the rules – and those who interpret them – is the first step.
Last week the reports that the Alamo had commissioned regarding the three buildings the State purchased in 2015 were finally released more than two years after they were announced. The reports vindicated preservation.
The report from highly respected John G. Waite & Associates, Architects, confirmed what we had expected – the buildings are structurally sound and adaptable to a variety of uses, including a museum. Another report by Trinity University historian Dr. Carey Latimore was commissioned later, after the efforts of the Coalition for the Woolworth Building documented the history of San Antonio’s famous lunch counter integration, which occurred at seven sites on March 16, 1960. As a bonus, the Waite Report also noted that the Woolworth Building was the only one of the five surviving buildings that actually had physical traces of the lunch counter.
A third previously unknown report was designed to specifically counter the Conservation Society’s argument that the photographs taken March 16, 1960 all depicted the Woolworth lunch counter. I dealt with this conflict between documentary and visual evidence ten months ago here.
Just before the release, the Alamo announced the construction of a new exhibition hall at the east end of the existing gardens behind the shrine. The reason for this is that they have a deadline to exhibit Phil Collins’ Alamo collection.
The Conservation Society has been advocating for the re-use of these buildings for over five years, and the release of the reports vindicated our position, a position that also led to State Antiquities Landmark designation for the Woolworth Building, and its landing on the World Monuments Watch List 2020. We had been requesting these reports for over a year and we are glad that they have been finally made public.
NOVEMBER 13 UPDATE
City Council was briefed on the Alamo plan yesterday and there has been a lot of discussion of “unwinding the lease” between the city and the state. Political battles at the state level between GLO Commissioner George P. Bush and Lt. Governor Dan Patrick, the Texas Historical Commission’s denial of the plan to move the 1940 Cenotaph, and the departure of most of the project’s high profile private donors have put the whole project in question.
In 2006 I wrote a blog called “The Fallacy of Primacy” focused on the idea that the “first” to discover something was not necessarily historically important. The Vikings got to North America and the Chinese maybe got to Peru before the Spanish, but it doesn’t matter. They didn’t affect the trajectory of history like those who came later. In addition to the fallacy of “firsts” and “discoveries,” there is also the problem of category and context.
This is San Pedro Springs Park in San Antonio, sometimes claimed as the second oldest park in the United States after Boston Common, since it was set aside as public land by King Philip V of Spain in 1729.
That fact is not true in two ways. First, there are older public lands in places like St.. Augustine so San Pedro Springs Park is more like 10th oldest. Second, there is no context for public parks until the 1830s – the category of a city park simply did not exist. If you look it up, San Pedro Springs Park is the oldest city park in Texas, dated not 1729 but 1852.
The urban park as a type begins no earlier than 1827 when they start redesigning St. James Park in London. The oldest “parks” in U.S. cities are more like the squares in Savannah, which were open space but not parks. There was no context for “park” as a place of recreation and relaxation outdoors. If you wanted that, you went to a cemetery.
So here is the oldest city park in the U.S., Boston Common, and you can see that it is also a cemetery. When it was created in 1634 it could be used for celebrations, militia drills, burials, and yes, even picnics and sport. Interestingly, the design of “parks” in the 19th century begins with the design of the first rural cemetery at Mount Auburn outside Boston in 1831. It then inspires the first generation of park designers.
So, we have a whole new context emerging in the second quarter of the 19th century. Parks. By the end of the 19th century, Boston has its Emerald Necklace of Parks, New York has the massive Central Park, Chicago has a boulevard and park system stretching 30 miles and even Los Angeles had the 575 acre Elysian Park. Parks, like museums, were an idea less than century old.
We have a similar movement in the current century to create urban linear parks from old railroads or other rights-of-way. Think New York’s High Line, Chicago’s 606, or San Antonio’s San Pedro Creek Culture Park. Rails or canals to trails is also roughly a century old, and getting more and more elaborate.
When you ask whether something is first, or oldest or original, you are in fact asking a present day question about how a place is perceived and categorized. It is kind of like the difference between fact (to aléthes) and truth (alétheia) in Greek. A fact – to aléthes – is that San Pedro Springs Park became a public space in 1729. Alétheia is truth in the sense of a body of truth, like urban parks were started in the 1830s and 40s. Boston Common is the oldest park – to aléthes – but it is also a collection of other ideas about public space between 1634 and 1834 – Alétheia.
FUN FACTS: A San Antonio native, Robert Hammond, was behind the High Line in New York! Also, another San Antonian, Elizabeth Barlow Rogers, founded the Central Park Conservancy!
The meeting started at 9 AM and ended at 7 PM with a 12-2 vote by the Texas Historical Commission NOT to approve a permit to relocate and restore the Cenotaph in Alamo Plaza. This relocation had been characterized by the City and Alamo Endowment as essential for the success of the entire plan.
That characterization is curious – one would think that the development of the museum – which has a timeline imposed by donor Phil Collins – would be the key element of the plan. Or the closing of the streets. Or even the relocation of the entertainment zone facing the Plaza, which seemed for years to be the key negative motivator for the Alamo Reimagined Plan. But there has been no movement on that issue at all.
The Conservation Society of San Antonio has been primarily focused on the preservation of the Crockett and Woolworth Buildings, as I have blogged about many times. It was interesting to hear the Texas Historical Commission debate the Cenotaph relocation. My first takeaway was: These people know what they are talking about. Laurie Limbacher displayed a razor-sharp knowledge of concrete and armatures, and several other Commissioners made it clear that they understood the Secretary of the Interior’s Standards which discourage relocation unless it is needed to safeguard a structure.
Which brought everything back to the curious logic of “this must happen first”? THC Chairman John Nau was not buying it. He said the site is too important “to suggest that the entire project depends on granting a single permit.” Were they giving themselves a way out? The project started six years ago and has been fueled entirely by public money so far. It was stated during the meeting that no private fundraising had been done yet, something I wondered about last month.
Meanwhile, the Alamo itself has reopened after nearly half a year, although it and the Cenotaph are still surrounded by barricades.
For the last five years, the Conservation Society had advocated for the preservation of the Crockett and Woolworth Buildings and their re-use as the new Alamo museum. Without every saying so, the Alamo has favored a new building, partly because they want to reveal where part of the western wall was, which I discussed at length last month here. I ended that blog noting that the Woolworth Building was to be a museum of airplanes a little over 20 years ago.
The San Antonio Museum of Art, the Briscoe and almost every other museum in San Antonio is in a historic building. Some, like the McNay and the Witte, have new additions, which is what we proposed for the Woolworth and Crockett.
How are world class museums made? Perhaps you recognize some of these.
You can throw in the Prado, the Alhambra and the Hermitage as well. Locally, we have….
The Alamo museum intends to focus its interpretation on the famed 1836 battle. So, their illustrations have lots of cannons, which, while smaller than airplanes, do need a little space.
Some of the unpublished museum images show the cannons safely indoors and many of the outdoors one will be replicas. In the absence of imagery, perhaps the museum will look like this?
Hmm. What does the outside of this museum look like?
Oh! It’s a historic building! How about this display replete with conquistador astride a horse:
What does this museum look like on the outside?
Kinda looks a lot like the Woolworth Building. Except in both of these cases the column spacing is not as flexible as the Woolworth Building.
The Alamo is warning that it is do or die time for the Alamo Reimagined Plan. The next hurdle? Texas Historical Commission will decide whether the 1940 Cenotaph can be moved a few hundred feet to the south.
There is an odd relationship in human nature between efficiency and its seeming polar opposite: excess. I was riding my bike this morning and I was thinking about roads as an example of efficiency and excess.
I wasn’t just thinking about the first hard roads in the 1910s and 20s, nor even the ginormous roller-coaster-like interstate interchanges I regularly drive here in San Antonio.
No, what I was actually thinking of were ancient MesoAmerican roads, like the stone staircases in Ciudad Perdida where the Tayrona (in the Sierra Nevada de Santa Marta, present-day Colombia) made high wet jungle efficient and interconnected beginning in the 7th century.
Which was efficient but then they just kept building more and more way beyond the point of efficiency. A little further north, I recalled Richard Hansen in Guatemala’s Mirador Basin declaring that the Maya collapsed because they kept building these lime pathways through their jungle, depleting their resources in the process as the paths grew deeper and deeper. I thought he was overstating the case, but I thought differently this morning.
Roads are very efficient until they aren’t. Like the paradox of building more roads and traffic getting worse, elements of efficiency in the course of human history can indeed become elements of excess until eventually the muscle memory of the efficiency carries the idea of efficiency along like a legend even as you sit two hours to travel thirty miles.
“All roads lead to Rome” and indeed the Pax Romana was based on the efficiency of trade and movement in the ancient world at a level it would not see again for a millennium. I saw a video recently that charged that the road’s led to Rome’s demise by bringing the barbarian armies in more efficiently. Did they turn to excess? Were they status symbols?
In Mechanization Takes Command, Siegfried Giedion talked about guns as the first single-stroke combustion engine, and indeed here is a tool we have proliferated beyond proliferation. From efficiency to excess and from utility to status symbol.
Well, how did I get from roads to guns? How did we get from tools to totems? How does efficiency turn into excess?
Here are three very nicely designed highrises one after the next. They are the Gibbs Hotel (1909) in a Renaissance/Chicago Commercial style, the Classical 1937 Courthouse and Post Office, and the Deco Gothic verticality of the Emily Morgan hotel (1926). This is in the heart of town just north of the Alamo.
In fact, these three buildings cover the north wall of the fabled mission and fortress. The famous 1836 battle began when Santa Anna successfully stormed the north wall, breaking in roughly between the Courthouse and the Emily Morgan. Commander Lt. Wm. Travis fell but a minute and a half into the battle, also on the north wall, to the left of where the streetlights are in the lower center of the photo.
The chapel, which everyone knows as the Alamo, was the first building preserved by the public west of the Mississippi, in 1883, less than fifty years after the battle. Already this had become the center of town and the large commercial Crockett Block was in place facing the chapel.
The Conservation Society began advocating for the re-use of the Crockett and Woolworth Buildings when the state purchased them nearly five years ago for a new Alamo Museum. This was part of the larger reimagining of the Alamo that began in 2014. Sixteen months ago we presented a concept showing how the buildings could be added onto to make the new museum.
All this is preface to a curious push right now by the Save the Alamo Foundation to garner public support for their Alamo Plan. The most curious aspect of this push is that they don’t have a final design for the plaza. Nor even a preliminary design for the museum. How do you sell that?
Well, they are selling the idea that they will reclaim the footprint of the battlefield/mission walls. A portion of where the west wall was is 10 feet under the Crockett and Woolworth buildings. WHERE IT WAS – these buildings have 15 foot basements so there is NO remnant of the wall.
But let’s go back to the north wall, where all the action happened. Are they planning to take down the Gibbs Hotel and the Courthouse? No.
So what are they selling? An invisible museum? It seems they are selling the idea that the famed 1836 battle will – by itself – attract all sorts of tourists. Calmer heads, like CM Roberto Trevino, are arguing that the 110 years of history before the battle need to be interpreted as well. After all, it is the mission era that made the Alamo part of a World Heritage Site.
The Alamo spent 80 years as a mission, 50 as a fort, and 170 as the commercial heart of a growing city.
The most curious thing of all about the Alamo Plan is not the absence of a design, nor the decision to expose some wall sites rather than others, but the fact that it is driven by an interpretive message that appears to be scripted by a 10-year old boy in 1950.* I visited as a 15-year old and thoroughly enjoyed the tales of heroism and sacrifice. But that is a small demographic.
The 1836 battle is just the starting point for a much richer tale with stories relevant to all peoples and all times. Why don’t they sell that? The more you include, the more money you make – what am I missing here?
*Thanks to Evan Thompson for this quip.
AUGUST 25 UPDATE:
Well, they have a drawing now! The drawing shows the plaza reconstructed as a reenactment of the 1836 battle, with a second story on the Long Barracks, a rebuilt southwest rampart, and lots of cannon and palisades. The drawing, from their Facebook page and in the news, is rendered from a position above the Crockett and Woolworth Buildings, so no news on the museum.
While still clearly aimed at that 10-year-old, it is the first new illustration of the plan in two years, so that is something. The drawing shows reconstruction of the second story of the Long Barracks as well as an earthen rampart at the southwest corner with cannon. I have dealt with the folly of reconstruction in the digital age previously. The drawing also shows lots of living history reenactors, making the whole thing a curiously large investment in a moribund industry.
In a month the Texas Historical Commission will make a decision about moving the Cenotaph, which is a publicly funded portion of the project. No news yet on the museum or other privately funded projects.
FUN FACT: The reason Clara Driscoll insisted on taking down the second story of the Long Barracks in 1913 was that it dominated the plaza and overshadowed the shrine – the same argument for moving the Cenotaph today! So they move the Cenotaph and then overwhelm the Chapel with a reconstructed second story of the Long Barracks???
FUN FACT: Do you know that in 1997 when it closed, the proposal was to turn the Woolworth Building into an aviation museum? True!
Well, it is once again time to win the “I canceled it first” race as the headless response to COVID-19 coronavirus spends its fifth month in the fifty random states of America. Here in Texas we are in a severe situation, outgunned only by Florida, Arizona and Southern California.
Something of this scale has not happened in a century, and a virus this virile and multidextrous has not been seen in modern times. Ebola was tons deadlier, but it killed fast, whereas the novel coronavirus doesn’t even let you know you are spreading it until you have.
Leadership, versed only in the news cycle, has failed badly in response to the longer cycle of the disease. The needless and childish politicization of masks and social distancing has led to the ONLY POSSIBLE OUTCOME it could, and the former USA no longer has the respect of other nations. Pity, perhaps, from a few. Schadenfreude, likely, from the majority.
Recently the Fiesta Commission, in concert with the Mayor, canceled the November Fiesta. Back in March it had been rescheduled from April to November. Now November is gone. The action followed both a spike in cases and hospitalizations, although what it really followed was the news cycle, beginning with an editorial telling the Mayor to do it on Sunday and the cancellation of Austin City Limits and the Texas State Fair. The original decision date was six weeks away.
It is amazing how well things go when you operate with a few basic protocols. Masks. Temperature scans. Sanitizing and hand washing. Over the last ten weeks in my company we have done these things and we have had no spread. Just like Hong Kong and Vietnam and South Korea.
But at the end of the day we are not on lockdown anymore – certain businesses like bars and hotels are being ruined – but you can still hold events, like the farmer’s market where everyone follows the rules and it is pretty much the same density and diversity it was before COVID. We will have to live like this for longer – we could take a cue from the countries that have been doing it for a full generation.
The protests last night (June 2) ended up violent again, as they had on Saturday, both times unusual for San Antonio. As commentator Rick Casey said “We don’t do riots in the streets.” The last significant one was at Municipal Auditorium in 1939. Now he realizes he can’t be so categorical, because we have just doubled our riot total for the last century.
The contrast to other cities remains significant, and the wise words of both Police Chief McManus and Sheriff Salazar have reinforced the sense of community that has always defined San Antonio.
These are the most challenging times I have experienced and the contrast to something that happened three months before and three blocks away from my birth is significant.
On March 16, 1960, seven lunch counters on Alamo and Houston Streets desegregated voluntarily and peacefully, without protest. It happened in the same place as the unrest Saturday night, as Scott Huddleston of the Express-News noted. An amazing college freshman, Mary Andrews, had written the lunch counters asking them to allow blacks to sit and eat.
The sit-in movement had started at a Woolworth’s in North Carolina only a month before. A meeting was held and a sit-in was planned. Then, the community of San Antonio kicked in. Religious and civic leaders got together with the businesses and they integrated a day before the planned sit-in.
The story of Mary Andrews is puro San Antonio, which makes the events of the last few days even more disheartening. At the Conservation Society of San Antonio, we have been fighting to save the heart of that peaceful integration – the Woolworth Building – since 2015. This month we will celebrate Juneteenth with testimonials from residents regarding the importance of the Woolworth Building and San Antonio’s unique role in Civil Rights history.
In times of fear and violence, it is even more important to remember the triumphs of peace and community.