Baguettes and Zoom
The ubiquitous French baguette was inscribed as Intangible Cultural Heritage this week, and our reaction must be: Why did it take so long? It has been nearly 30 years since UNESCO adopted the Intangible Cultural Heritage convention and started cataloging music, dance, costume, food, crafts and other elements of cultural heritage from across the globe. One would think the baguette would be high on the list but at least it takes it rightful place next to couscous, Turkish coffee and Belgian beer. Oh! And slivovitz, the plum brandy often central to Passover, just got listed as well.
For the second Fall in a row, I have been teaching a Zoom course to UTSA Architecture students on World Heritage Management. I have had the good fortune to have some great guest speakers – Dr. Paul Ringenbach, who wrote the World Heritage nomination for the San Antonio Missions, Christine Jacobs, Superintendent of the San Antonio Missions National Historical Park, and Nada Hosking, my former colleague and Executive Director of the Global Heritage Fund.
It has been fun to teach again after a decade-long break, and I am impressed by how well the Zoom interface works. Of course, it began due to COVID but it continued because now I can teach from anywhere. I taught a course at UIC in Chicago in the Spring, and I taught two of my UTSA courses this Fall while I was on my Fulbright Specialist trip to Bogotá.
It also allows me to relive many sites I visited and worked at around the world, collecting and reflecting on how heritage conservation happens and what it means for a community’s growth and health. We focus mostly on the cultural World Heritage sites, although several students have done papers on the Natural World Heritage Sites and we did cover Intangible Cultural Heritage as well.
I am impressed with how attentive the students have been and how effective the medium actually is for a class like mine which is essentially a lecture class with a lot of powerpoints – the students presented their own powerpoints on three occasions. I try to keep it interesting and connected with some basic themes, like my bottom line: Heritage conservation is a process that a community used to determine what elements of its past it wants in its future. And how.
The semester comes to an end next week, and I have learned a lot as well as – I hope – shared a lot. You learn by teaching, seeing the connections and themes that emerge even from projects and examples that you worked on long ago. From new questions and old questions (gentrification?) asked again in a new year. The added Fulbright Specialist tour (see previous blogs) added more students and insights to the mix.
My Fulbright Specialist work at Ean University, Bogotá
My two week Fulbright Specialist time at Universidad Ean in Bogotá, Colombia is coming to an end in a couple of days. This has been an excellent experience, thanks in large part to Ean faculty member Juan Camilo Chaves and over a dozen excellent students in Cultural Heritage Management. Thanks also go to Fulbright Colombia, celebrating 65 years, and Paola Basto Castro of Ean’s International program, Sergio Sanchez and Laura Hernandez of Fulbright Colombia and Alejandro Torres of Ean.
First off, Ean has a brand new building with an incredible facade-screen passive heating and cooling system, facial recognition technology to enter and exit the building, and a host of other high-tech items, including a nap room, study rooms with color matched to your study style, etc. Even the old (2012!) building has a green roof of the type we were designing with School of the Art Institute of Chicago students in Lima in 2012, complete with hydroponics, beehives and greenhouses.
My weeklong workshop of five lectures was called “Heritage As Process” and included lectures on the long history of heritage conservation in San Antonio; People and the Preservation Process; Conserving World Heritage; History of Historic Districts and of course the amazing story of the Coalition for the Woolworth Building. I was also asked to have a Q & A with a larger group of student last week, and guest lectured on the San Antonio World Heritage Missions for another class. Tomorrow I will do my Fulbright presentation summarizing this.
So what did I learn, aside from what a modern university looks like? First, I am again lucky to live in a city with a long heritage conservation tradition, because Bogotá seems a bit like Houston or Singapore with endless highrises backed up to the mountains and little concern for the few remaining historic buildings. The students are working on cultural districts, but the idea of historic districts or preservation zones seems to have little traction here.
I visited the house museum of Simon Bolivar, the father of South American independence. It is a well interpreted site set in a lush garden. Especially impressive was the dining room, done in a French style – indeed, due to the timing, the whole place has an Empire feel to it.
Of course the classic tourist visit is a ride up the funicular to Monserrate, the hill above the city. The whole city sits smack dab against the mountains, and of course Monserrate is a pilgrimage route as well, with its church featuring a Christ figure descended from the cross.
I am off this morning to report on my Fulbright Specialist experience! Stay tuned for the next blog on the wonderfully challenging approach to interpretation in the museums of Bogotá!
Disclaimer: The blog of Dr. Vincent L. Michael, Time Tells, is not an official Department of State site. The views expressed here are entirely those of Dr. Michael and do not represent the views of the U.S. Department of State or its partners.
The Art and Craft of the Machine in the age of Digital Reproduction
Breitbart said politics is downstream of culture, which means our current political extremism is but a distillate of larger cultural forces. I would posit that while these include globalization, climate crises and inequality, they have been profoundly and quite recently shaped by digital communications. The crowd plodding along the street looking at their phones; the basement incel fulminating in extreme words and images because they are his only communication currency; the politician pushing the goalposts for a given issue further and further because the replication of memery mandates that only violent opinions will secure any attention at all.
And here I sit in the middle of heritage conservation as I have for nearly forty years, a rare combination of education, advocacy, urbanism, regulation and economics that sometimes appears to be the last multipartisan issue. Why? Because it is about culture, upstream of the horses that relieve themselves before it reaches the town hall. But what is culture? Something we associate with aesthetics, to be sure, in art and architecture and costume and song and food and drink. The finer things in life. These too, are kinds of communication, phrases and ideas that because they are standing or dancing physically in the real world do not require ultraviolence. They are real. They do not compete with an endless intergalactic webernet’s flow of rawer and rawer sewage.
The sewage is increasingly available to all, but so is heritage conservation. Every place has its stories, its poems and its puffy tacos and every place has its structures and sculptures and street signs. Climb out of the basement and walk down the street and discover heritage, because every bit of it is a node of empathy and a key to a social contract and communication.
In 1901 Frank Lloyd Wright gave his famous “The Art and Craft of the Machine” speech at Hull House in Chicago, turned it into pamphlet sold at his 1902 exhibit at the Art Institute of Chicago and purchased by a teen named Barry Byrne, who read it over and over again. Here was the definition of art AND democracy. The clever title transposed two seemingly diametrically opposed cultural/political movements of the time – the Machine Age versus Arts and Crafts, the celebration of the human artifices of a pre-Industrial era. Byrne’s prodigious writings of the 1940s and indeed his buildings refer back again and again to the pamphlet.
To Wright, the Industrial Age meant liberation and democracy. Now all could enjoy the beauty of machine-sawed wood, the commodity of a clear view of nature, and the utility of affordable home and hearth. To Wright, architecture had been “the universal writing of humanity”, rendered moot by Gutenberg. He agreed with Hugo that the book killed the edifice, but instead of lamenting it like Ruskin he embraced it for freeing us from the drudgery of handcraft and allowing the infinite reproduction of beautiful forms. His European associates would likewise celebrate the Machine Age in their theory, and when time and finance permitted, designs.
Wright boiled it down. Art is artifice and all human creations are artificial. “The Machine is Intellect mastering the drudgery of earth that plastic art may live;” and its replication through industry allowed a broad cast of beauty that would “emancipate human expression.” It was the opposite of the mawkish medievalisms of Ruskin, reveling in ruin.
But a year later in 1903, Alois Riegl gave us the seminal heritage conservation text with his “Modern Cult of Monuments: Its Character and Origin.” I have always had an affinity for his proto-Heidegerrian pseudoscientific categorization of preservation motivations: “Age Value;” “Art Value;” “Use Value;” “Historical Value;” “Commemorative Value;” and even “Newness Value.” He talked of intentional and unintentional monuments. He thought “Age Value” the best because it could be apprehended and appreciated by all.
Wright and Riegl both celebrated nature and science and both were focused on the relation of people to their world and to communication. Wright saw the Machine as bringing a new communication to the broadest possible swath of humanity and Riegl saw the Age Value of the heritage site with similar vocabulary and stimulating that same broad swath. This was an era of world views, of seeking cultural essence. It was an era that revolutionized architecture in dramatic ways but also introduced heritage conservation and its manifold motivations.
These two texts of twelve decades gone may not have anticipated the megafolding multiplicity of our current antisocial media landscape, remaining as they did upstream, on the mountain of culture, where humans and nature intersect for real. I think they would have found the plastic artificiality of our intergalactic webernet as cause for a new essay, albeit one that still valued education, nature and science.
Before and After
Well, it has been over a month since my last blog, and that month has included all of Fiesta here in San Antonio, the first real Fiesta in two years and it was a blockbuster! A Night In Old San Antonio(R) our four-night event, was packed as usual for the food, drink, music and more celebrating San Antonio’s diverse cultural inheritance. This was our 73rd presentation of this event, which means it is itself a cultural expression worthy of preservation!
In addition to our signature Fiesta traditions, we also have a strong preservation ethic. So here are some buildings that might not make it in another city.
Diversity, Inclusion and Racial Justice
Since late last year I have been Co-Chair of the Diversity, Inclusion and Racial Justice Working Group, one of four groups comprising the Preservation Priorities Task Force, a joint effort between the National Trust for Historic Preservation and the National Preservation Partners Network. For most of my years (2006-2015) as a Trustee of the National Trust for Historic Preservation, I was Vice Chair of the Diversity Committee and Diversity Task Force. This is an issue that is of profound importance to heritage conservation, especially in the United States.
Diversity is the need to represent the full heritage of a place for the full complement of its communities. Inclusion is the necessity of insuring that every member of every community has a hand in the decision-making of what gets saved, why it gets saved, and how it gets saved. Racial justice is the need to address an imbalance that the historic preservation field helped foster, beginning in the 19th century and continuing into recent memory.
It made matters worse that we focused historic preservation on architectural history, which was the white-manniest of professions until a week or two ago. Moreover, many of the early preservation organizations in the 1920s, including my own, engaged in cultural heritage preservation of minority cultures without any input or involvement from those cultures. Commemoration of the Other simply reinforced power and hegemony.
In June, James Madison’s Montpelier took it a step further and voted to share power with the descendants of those 3,000 American men, women and children who were enslaved at the sixth president’s sprawling home and plantation. You can read about it here. This is ultimately what it is about. When Juneteenth came to Texas 156 years ago, it was followed quickly by sharecropping, poll taxes, and a penal system designed to return recently emancipated slaves into a state of servitude. It is a testament to human resilience that so many rose above despite a multivalent and violent system designed to prevent them from doing so.
What Montpelier did is key, because the only way to achieve Diversity, Inclusion and Racial Justice is to hand power over. This is hard for any institution, any movement, any society. It is like the challenge I wrote about ten years ago as two of my preservation organizations struggled to figure out how to incorporate the next generation. The answer is simple. You hand them the steering wheel and get out of the way.
It has been very rewarding to make some progress in this arena in San Antonio, especially our recent success in saving the 1921 Woolworth Building on Alamo Plaza. It was listed on the World Monument Watch List 2020 in part due to the “underrepresented narrative” of Civil Rights history. That publicity resulted in our finding out that famed sculptor Richard Hunt ate at the Woolworth lunch counter that day.
Our Coalition for the Woolworth Building has been the subject of several presentations and an upcoming article and this fall the Conservation Society will be honored for its “important contributions to to civil rights history in the City of San Antonio” by the San Antonio Branch NAACP. Here is a recent National Trust blogspot on the Coalition.
It took centuries for us to get to this place, and the need for reckoning, for Truth and Reconciliation, is still apparent. Bexar County Commissioner Tommy Calvert recently made an eloquent and personal plea to look to San Antonio’s Alamo Plaza as a place to begin that process in the U.S.
There is a long way to go for both society and the heritage conservation field, but at least we are facing in the appropriate direction.
It’s a process.
“Conservation means all of the processes of looking after a place so as to retain its cultural significance.”
“Cultural significance is embodied in the place itself, its fabric, its setting, use, associations, meanings, records, related places and related objects. Places may have a range of values for different individuals or groups.”
This is from the document I consider the northstar of my field, the Burra Charter. While we call it historic preservation in the U.S., I have argued for a dozen years that it is in fact heritage conservation. It is not a set of rules or standards. It is a process.
The process whereby a community determines what elements of its past it wants to bring into its future. The community must determine what is significant, how significant it is, and how it should be conserved and treated in the future. Professionals can help the community do this, but they have to do it or it is worthless.
The quotations above from the Burra Charter illustrate that heritage conservation is a process, and that different types of resources follow different types of rules. The quotation also iterates a concept that we in the United States call integrity but elsewhere is authenticity.
That is because integrity tends to be a mechanistic and formalistic concept that reinforces the primacy of materiality. It doesn’t have to be so. Integrity’s seven aspects include feeling and association and I have been involved in the effort to redefine integrity in order to diversify heritage conservation and preserve the full range of our history.
I am currently Co-Chair of the Diversity, Inclusion and Racial Justice Working Group, part of a partnership between the National Trust for Historic Preservation and the National Preservation Partners Network. Our field is still clogged with the remnants of a history that empowered white males to the exclusion of others, and integrity aided and abetted that exclusion.
How do you define the integrity of a building that housed decades of history for a marginalized community? Shouldn’t it in fact illustrate the fact that it survived on the margins of the power structure and economic hegemony? Doesn’t the fact that it lost its cornice or replaced stone with brick in fact define its cultural significance?
Following years of work on this issue, I wrote a paper that became a book chapter published in 2018 that dove fairly deeply into the specific mechanics of integrity and diversity – the bottom line is that the preservation world has much to repair in its relation to the whole of history and the whole of the country. Recognizing the bias in the rules – and those who interpret them – is the first step.
San Antonio Conservation June 2019
It’s the longest day and it has been a month since my last post, so time for a quick catch-up on the state of Conservation in San Antonio!
First, up, the Alamo, whose managing non-profit met today while camels wandered the grounds. They recently announced the architects for the new “world-class” museum after interviewing them last January. They chose Machado Silvetti from Boston. Machado taught in Texas back in the day, according to former students. Hope they look at our design. They have also changed their by-laws to keep Land Commissioner George P. Bush at a distance and become more like a regular non-profit that raises money through philanthropy. Good idea – the last four years of top-down planning have been on the public dime.
Out in the neighborhoods where preservation really happens we are having our Third Neighborhood Workshop tomorrow, June 22, 2019 and it will be a doozy – we are premiering our board game “Plots and Plats: A Neighborhood Development Game” that takes you through the process of developing land and getting Zoning, Planning, Historic and City Council approvals all while dealing with Neighborhood organizations, development delays, financing and the like. It is at the Mexican-American Unity Council 2300 W. Commerce tomorrow at 9 AM!
Tonight you should drop by the Beethoven Maennerchor for Gartenfest, not simply because this is the oldest German singing society west of the Mississippi (152 years) and not simply because it is one of only three in Texas with its own building and beer garden, nor simply because I will be singing with the choir at 8 PM, but ALSO because we have a very cool set of guest taps ($20) from two Texas breweries – my favorite Karbach (Rodeo Clown, Light Circus Hazy IPA, Cherry Lime Radler and Coastal Conservation Wit) and the legendary Shiner (Bock, Light Blonde, Wicked Juicy IPA and Sea Salt & Lime!)
Talk about heritage conservation (or rather, hear us sing about it!)
We are still trying to save that fabulous little 1935 Pure Oil gas station on Nogalitos – we have even been trying to buy it! It was the centerpiece of my most popular blog from 2018 with over 4,000 views. It even rated a half-page in Preservation magazine this spring!
The city recently landmarked an East Side ice house, a Tobin Hill bungalow and a Lavaca house-cum-storefront, but sadly passed on two other Tobin Hill houses because they are swimming in a sea of vexaciously vacant and valuable land. Neighbors are still fighting, but City Council has approved the demolition.
on a more positive note:
The 1880 Claudius King house by San Antonio’s first great architect Alfred Giles made its way across the street to its new home this month. We live-blogged it at San Antonio Conservation Society.
This week we celebrated two excellent years under the leadership of President Susan Beavin and next week we welcome new President Patti Zaiontz, who knows the ins and outs of the best preservation city in the U.S.
San Antonio, Texas!
This is Fiesta: San Antonio’s Cultural Heritage
New Orleans has Mardi Gras, Rio has Carneval, Ahmedabad has Utturayan and San Antonio has Fiesta. It is part of the city’s intangible cultural heritage, a parade that culminated in a “Battle of Flowers,” a European pageant suggested by a Chicago Presbyterian minister back in 1891.
The parade soon became an elaborate and fantastical depiction of social rank with an elaborate collection of self-styled royal courts where the high and mighty families dressed up in themed fantasies and young women debuted in five-figure gowns as the “Duchess of Harmonious Elegance” or “Princess of Perceived Coordination” or whatever and now this tradition has been going on for over 120 years. Heck, “Cornyation,” which makes fun of this, is itself at least 60 years old and has a book about it.
Then there are the medals. Everyone has a medal for sale, even McDonald’s. You sell them, trade them, give them out and compete with other medals. They represent causes and organizations and businesses and politicians and individuals. Even if you don’t try, you will still end up with three dozen of them and you need a sash to carry them all. We all end of looking like South American generals by late April.
We have Kings. The Texas Cavaliers crowned the first King Antonio in 1927, and this group of business leaders found competition 21 years later when the Hispanic Chamber of Commerce crowned the Ugly King – Rey Feo. Now the two Kings get along fine and compete simply to raise money for children’s causes and scholarships respectively.
There are over 100 official Fiesta events, It’s a “party with a purpose” and its signature event is A Night In Old San Antonio®, now in its 71st year. This is our event, which began about 1936 as a Fall Harvest Festival down by Mission San Jose. By the early 1940s it became a downtown Riverwalk event and at the City’s insistence, we moved it up into La Villita in 1948.
It now runs four nights – a total of 20 hours. It utilizes the talents of over 10,000 volunteers to provide food, drink, music, crafts and fun to over 80,000 guests. It raises money for conservation in La Villita and throughout San Antonio. We have 5 year-round full-time staff, two downtown buildings including a commercial kitchen and 18,000 square feet of warehouse just for this four-day event.
Oh yes, and we have volunteers who meet every Thursday morning year-round to make paper flowers and cascarones for the event,
Cascarones? Those are confetti-stuffed eggshells that you crack over your friends’ heads during FIESTA. You can buy them at the local grocery store, just like the medals. For NIOSA® we make our own – about 50,000 each year.
Fiesta as a whole features several major parades, several multi-day fundraisers with food and drink and music, and a huge collection of official receptions, dinners and ceremonies. 100 events. Everyone decorates their house with flower wreaths, papel picado banners, and all manner of colorful acoutrements.
There is nothing like this in any other city that I know of.
It may not have the fame or cachet of Carnival or Mardi Gras, but I love its intricacies, particulars, flights of fancy and aged authenticities. Fiesta is San Antonio’s cultural heritage.
Y’all come visit NIOSA® this week, ya hear?
Heritage Conservation 2018 – PastForward
Just back from San Francisco, currently sporting the worst air quality on the planet but also hosting PastForward, the National Preservation Conference.
For me it brought back fond memories of Beijing, 2004.
It was the final meeting for National Trust President Stephanie Meeks. I remember flying from Chicago to Washington DC and back the same day to vote her into her position back in 2010.
Her speech at the Plenary session hit five major points that well illustrate the status of heritage conservation in 2018 and its future direction. You can see her full speech here, but I hope she will allow me to reflect on her five points below.
People First
Heritage conservation is about what people want and need, and not about museums and architectural obscurities. It is about Main Streets and housing and schools and jobs and how communities are built and thrive. It about more than tourism and curation – it is about how we feel about belonging to a place, investing ourselves in it.
Stephanie cited Abraham Maslow’s 1943 “Hierarchy of Needs” where PLACE and a sense of belonging were first identified as essential human needs. Current neuroscience has dramatically underscored this early intuition with the solid research into the brain chemistry of architecture and environment in the work of Colin Ellard (which I blogged about here in 2016.)
Ahhhh…dopamine….
The latest developments go even further that Ellard’s quantification of how – chemically – interesting buildings make us feel good and parking lots make us anxious. I just read Sarah Williams Goldhagen’s Welcome To Your World, a study of the new concept of embodied cognition – that how we think about and understand our world is crafted by our built environment, largely in an unconscious way. She makes the case that good design is a basic human need, a key to brain health and a source of emotions. “Recognizing and identifying patterns produces in us a sensation of pleasure.”
We see ourselves in our surroundings.
It turns out architecture is neither a luxury nor an externality. It is the way we construct our thoughts and feelings. The heritage conservation field is only beginning to take advantage of these new frontiers in neuroscience which prove something we suspected for a long time. Look for a big expansion in the coming years.
Innovation
The changes to heritage conservation in the last two decades are epic. In terms of diagnostics, we can now learn so much more about archaeology and buildings with minimally invasive techniques impossible in the 20th century. Ground-penetrating radar. LIDAR. We can snake cameras into the tiniest crawlspaces and cavity walls, and we can point cloud anything with a regular camera if need be.
Presidio 2007 – an actual point cloud station but they did show us how to do it with camera.
New tools are also available for rehabilitation. I learned Thursday that a company actually makes siding that matches 1940s asbestos siding! We can 3-D print components, or we can find the companies that still make the same sash cord they did 90 years ago.
Yeah baby!!
The greatest innovations, of course, have been in interpretation of historic places.
Painting with light. “Restored By Light” at Mission San Jose, 2016
Innovation works at two levels here. First, we have to reach the next audience through the media they choose to use. Second, we can restore history without resorting to massive physical intervention, as seen above.
Interpretation at the recently reopened Cooper-Molera historic site, Monterey, CA.
Innovative interpretation is key not only to the massive tourism industry, but also the more basic and democratic project of sharing why we save and repurpose elements of the past. People love the stories in the simplest of buildings. They enrich our experiences, which people crave today more than things.
Stephanie referenced the virtual reality interpretations of historic sites, and I would simply add that augmented reality is already a staple of museums and public history today, in 2018. The next generation of tourists will expect AR at every heritage site. Full stop.
I blogged about this moment almost two years ago here.
Scale
Scale. We complained at Harvard Business School this summer that every case study was about scaling. But yes, scaling is growth and that is the pattern of political economy and indeed civilization. So too in preservation we need to scale beyond the regulated landmark by incorporating heritage – in some form – into every aspect of building and planning. We are doing it here in San Antonio, from our neighborhood workshops that invite ALL communities regardless of designation to the city’s recent efforts to improve infill zoning.
Stephanie specifically referenced the rehabilitation of Cooper-Molera Adobe, the National Trust site in Monterey which I was involved with and saw in all of its free-entry glory last Saturday. It is like the Gaylord Building now – a restaurant, bakery and event space pay for the lively restored and crisply interpreted historic house. Nice job!
The challenge of bringing the heritage conservation message to scale is implicit in the initiatives described above – including all older neighborhoods regardless of their architectural integrity or consistency; reaching out to include diverse voices from history; understanding heritage as a part and parcel of EVERY planning and zoning decision.
The challenge for groups like the National Trust or San Antonio Conservation Society is how do you transmit scale into your organization? Can you grow membership in an era of declining membership? Can you create micro-members who join for a singular moment and cause? Can you re-tool surveys to fully incorporate diverse and intangible histories?
Living Heritage
This was not one of the categories in Stephanie’s speech, but it was a frequent topic of educational sessions, since San Francisco is leading the way in dealing with Living Heritage through its thematic context studies, Legacy Business Program, and cultural place initiatives.
Japantown, San Francisco
These initiatives explode the traditional bounds of architecturally-based heritage conservation by focusing on intangible heritage and community values that are embodied in PLACE but not ARCHITECTURE. Some of these sessions were TrustLive follow-ups to the TrustLive presentation at our September Living Heritage Symposium in San Antonio, featuring my friend Theresa Pasqual. I blogged about our 2017 symposium here.
Climate Change.
Three and a half years ago I attended the Pocantico Conference on Climate change and heritage. With so many coastal cities threatened by rising sea levels, climate change remains a central concern in the field of heritage conservation.
Preservation is always triage – which are the most important places to save, and which must be let go due to limited resources or political capital? Climate change accelerates these hard choices. I am reminded of Valmeyer, Illinois, the little town that moved – in its entirety – up to the bluffs following the devastating Mississippi River flood of 1993, or the National Historic Landmarks on the east coast that have been moved inland as storms worsen.
Like Lucy the Margate elephant.
Joy.
This was a nice touch on Stephanie’s part. Spread Joy. The joy of heritage, a work that supports the brain and enlivens the body through its haptic interaction with a nurturing environment, an environment rich in stories and social interaction.
We know about this in San Antonio, where 12,000 volunteers entertain 85,000 attendees each year in support of preservation. A Night In Old San Antonio® will be here April 23-26, 2019!
94 Years and Going Strong!
On March 22, 2018 the San Antonio Conservation Society turned 94! That’s right, we have been around a quarter century longer than the National Trust for Historic Preservation. Rena Maverick Green and Emily Edwards founded the group with 11 other women in 1924. They supposedly notched their first “save” that year, a tree along the river the city planned to remove. Within a decade they had purchased and saved much of Mission San Jose, especially the Granary.
Hard to believe, but the Missions were in bad shape 94 years ago – the tower here at San Jose would collapse in 1928 and was only restored thanks to the intervention of the San Antonio Conservation Society. The upper third of the Mission San Jose Granary was bought and paid for by the Society in 1930, thank you very much.
We originally formed to save not just architectural treasures like the Missions but also areas of natural beauty and most importantly customs – what we now call intangible heritage. That is one of the things I love about working here – we knew what 21st century heritage conservation was like way back in the early 20th century. We revived Los Pastores and our amazing Night In Old San Antonio ® event is now in its 70th year. It is a cultural performance and homage. Also a fundraiser. Biggest in the United States. By miles and miles.
It is the Missions that really course through the history of the San Antonio Conservation Society. That was the first place that the women of the Society went out on a limb, buying land, securing craftspersons, and actually owning and restoring historic buildings.
And then giving them away. By 1941, the Society had not only restored much of Mission San Jose, it had secured National Historic Landmark status (a 5-year old program at the time) and coordinated the efforts of the State, County, City and Catholic Archdiocese to create a state park encompassing the San Antonio Missions. All before Pearl Harbor.
Mission San Juan Capistrano.
By 1978 through delicate lobbying from the Blackstone Hotel in Chicago (coincidentally the birthplace of the “smoke-filled room”), they made the Missions a National Park, maneuvering the deal past the opposition of President Carter. Money. Smarts. Savvy.
At Mission San Francisco de Espada.
When I visited San Antonio in 2010, I made a point of seeing all of the Missions, even the Espada Aqueduct that the San Antonio Conservation Society bought in the 1950s to insure its preservation.
I blogged about the Missions during my 2010 visit (SEE BLOG HERE).
Espada Aqueduct.
See, the amazing thing about the Missions is not their architecture – although much of that is quite excellent. Nor is it simply the fact that these were the first European structures built here. It is the fact that the entire landscape of an encounter – between the Spanish and the Native Americans – is not simply legible in the landscape: It is alive.
Matachines at Mission Concepcion, 2017.
I blogged again 5 years later when the San Antonio Conservation Society, together with city and county partners, achieved something amazing in only 9 years: Inscription as a World Heritage Site (SEE BLOG HERE). For the same reason. Here was a place that contained history not only in buildings, and waterways, but in people and traditions. Customs.
10th and 11th generation Canary Islanders at San Fernando Cathedral two weeks ago.
It is fun to look at my old blogs – when I had literally no idea I would be working here – and see how much respect and admiration I had for the Society, one of the oldest in the nation. When I applied for the job in early 2016, I was equally impressed by how the Society kept with the times, embracing modern landmarks less than 50 years old…
To be fair, it will turn 50 in two weeks…(Confluence Theater/U.S. Pavilion HemisFair ’68 – now Wood Courthouse)
And sites that represent the diversity of the American experience, a diversity that the historic preservation movement overlooked in its early days.
1921 Woolworth Building on Alamo Plaza, site of first successful (and peaceful) integration of a lunch counter in the South in February, 1960.
I suppose being founded in 1924 gave the San Antonio Conservation Society a certain modernity. This was a time of a booming, building downtown, and indeed the first effort was to save the Market House from street widening, which failed.
Widening of Commerce Street in 1913 – the Alamo National Bank Building of 1902 (center) was moved back 16 feet rather than shave off its facade like the others. Then three stories were added.
If you are in downtown San Antonio, the odds are a building the Conservation Society bought and saved is within a block of wherever you are standing. Here are a few from our 94 years, none of which we still own…..
Ursuline College/Southwest School of Art
Aztec Theater
Rand Building – the tech center of downtown SA
O Henry House
Casa Navarro, home of Jose Antonio Navarro, only Tejano signer of both Texas Declaration of Independence and Texas Constitution. We ran it for 15 years before turning it over to the state.
Emily Morgan Hotel. A block from the Alamo.
Maverick Building. Also a block from the Alamo.
Reuter Building. Half a block from the Alamo.
Staacke and Stevens Buildings
We aren’t the oldest preservation organization in the country – heck, we aren’t even the first one in San Antonio, where efforts to save the Alamo began back in 1883. But we are 94. And going strong!