If you want to see what the Alamo Plaza plan was like exactly four months ago prior to a series of public meetings, check out my blog from June 20 here. If you want to see what the City Council approved last week, check out my blog from June 20 here. Not much changed, although a booklet called Alamo Plan August 2018 did address a series of the questions that came up during the public meetings and explained why things pretty much had to stay the way they were. Like the website, the book starts on the negative, decrying all of the icky things that happen in front of the Alamo.
Always best to start with the negative..
We don’t get the POSITIVE vision for the site until after the City hands over control. It is curious that we only are presented what Alamo Plaza shouldn’t be – the few images in the booklet are generic and uninspiring.
The Crockett, Palace and Woolworth Buildings that we have been advocating for for the last three years. These face the Alamo chapel. In the August 2018 book they announce they will “assess the significance and integrity according to national standards” and “assess opportunities for reuse, including how to connect multiple floor plates”. This is the equivalent of Henry II’s plaintive wail “Will no one rid me of this meddlesome priest?”
The City Council voted to lease the plaza and streets to the State of Texas for 50 years (with two 25-year extensions). The main changes over the four months were not changes to the plan as much as changes to those opposed to the plan. The two main parades (Battle of Flowers and Fiesta Flambeau) agreed to the new parade routes, the Citizens Advisory Committee publically approved the plan, and the Historic and Design Review Committee approved the moving of the Cenotaph, which raised the most controversy over the summer.
The new location of the Cenotaph within the plaza area was arguably the only change made to the plan itself. They did add some new drawings commemorating the Payaya Indians who first inhabited the 1718 mission to the final presentation and book. These added illustrations received significant commendation from the Council members for interpreting more than just the 1836 Battle of the Alamo. So… they included the 18th century, but what about the 20th???
The Phil Collins-sponsored metal model plaques that were installed this year start with 1744, and then march to 1785, 1793, 1836, 1846, 1861 and … then stop marching at 1900. This is the problem: They claim to interpret 300 years of history but actually stop halfway, prior to the 20th century. Which is when Adina de Zavala and Claire Driscoll actually saved the Alamo. And a city happened.
Despite the casting of this summer’s plan as an “interpretive plan,” the only hints at interpretation were images of costumed interpreters and the recent hiring of a living history director. Although they have assured me there will be 21st century museum staples like augmented reality, there is a curious fondness for the unpopular and unprofitable world of 20th century living history, which I surveyed in another recent blog.
In fairness to our city leaders, we raised a big stink about the importance of the Woolworth’s Building in Civil Rights history (see my blog here) and this was referenced in the City’s lease agreement, if not into the Alamo Plan publication. But it can still be demolished.
Fine looking building – would be worth saving for architecture. But the Civil Rights history is even more epic.
The other big issue this summer was access, a subject of our petition. The new museum which will occupy the space (and hopefully the facades) of the Crockett and Woolworth Buildings will be open 9-5 and during that time only one access point to the plaza – next to the museum – will be open to the public.
No sneaking in!!!!!
Up to six gates in the new fences surrounding the plaza will be open at other times, so that vital midnight selfie in front of the Alamo will be only a bit less convenient than today. This element of the plan upset most of the architects and planners in town, and again, there was minimal change – more off-hours access points were added, but daytime stayed at one.
My normal time is 7 AM, although I will probably have to leave my bike outside.
So, now all the decisions will be taken by the state. The Citizens Advisory Committee and the Historic and Design Review Commission will comment on the results of the architectural assessments, but the power lies with the General Land Office of the State of Texas.
We can hope. Our focus at San Antonio Conservation Society remains on the buildings. Roads can be closed and opened. Gates can be added and subtracted, Fences can be erected and deconstructed. But once you tear down these historic buildings, they are gone forever.
In the 1950s, Colonial Williamsburg was the number one tourist attraction in the United States. Its “living history” displays within the carefully curated town landscape were a novel attraction, and many other sites across the U.S. from Mystic Seaport to Lincoln’s New Salem followed their lead. It was the dawn of television and big-finned automobiles: living history was hot.
That was seventy years ago. Last year, Colonial Williamsburg reported it had lost $277 million in five years, laid off 71 staff and sold properties to avoid further hits against its endowment. This summer it celebrated avoiding layoffs and reducing its debt to $317 million. Conner Prairie in Indiana boasts of 11 years of breaking even after an economic debacle in the early 2000s. Old Sturbridge Village brings in $2 million in admissions but breaks even on a $12 million budget thanks to investments, property sales, and major gifts. Plimoth Plantation has seen ticket sales drop 30% in the last 30 years and now has a labor dispute with its suddenly unionized interpreters. Civil War reenactments draw a fraction of the spectators they did in their 1990s heyday. Living history is no longer hot.
Don’t get me started on the coureurs de bois
Sound management is helping Colonial Williamsburg and Sturbridge Village and Conner Prairie survive, but are they thriving? Clever programming has some sites increasing attendance, but none are approaching the quantities of visitors found in the heyday of living history in the 20th century. Premier sites like Colonial Williamsburg or Ironbridge Gorge in England draw half a million visitors a year. But they used to draw twice that. $20 million in admissions might seem like a lot until you compare it to an annual operating deficit of $50 million.
good old days in New Jersey
The advent of the Millennial generation, whose interactions with the physical world are mediated through smartphones, raises the question: Is there a future for living history? The demographics are worrying: In 2012 20.5% of Americans 18-24 visited a historic site, down 8 percentage points since 2002.
with Inn four miles of Denver
Many sites have raised ticket prices to overcome declining attendance and Colonial Williamsburg is considering building a fence around the site to capture more ticket sales. Some sites excel with school groups, but school groups rarely pay, exacerbating the economic challenge.
There are positive reports from some sites about developing more “immersive” experiences that appeal to more people. This runs counter to the trend in house museums, where the guided tour and costumed interpreter have given place to the self-guided tour.
It isn’t simply generational – it is also technology. For 30 years, technology has been giving individuals more control (at whatever quality) over printing, photography, navigation, communication, and determining how you spend your day. Most tourists today expect to control their experience in a way unimaginable 30 years ago.
In the next five years we will learn whether a new generation wants to witness and interact with costumed interpreters or just keep their finger on the pulse of their smartphone.
Does Living History have a future? And how much will it cost?
Sources and Further Reading:
“Historic Sites Face Modern Day Pressures” Virginia Gazette, September 16, 2018
“The Decline of the Civil War Re-enactor” New York Times Magazine, July 28, 2018
“Americans Declining Interest in History is Hitting Museums Like Colonial Williamsburg Hard” The Federalist, August 22, 2017.
“Colonial Williamsburg is still $317 million in debt, but things are looking up” The Virginian Pilot September 15, 2018
“CEO: Colonial Williamsburg’s financial outlook improves; no layoffs planned.” Daily Express, September 16, 2018
Old Sturbridge Village 2016 Annual Report
Conner Prairie 2016 Annual Report
This year I published a chapter called “Addressing the Diversity Deficit: Reform the National Register of Historic Places” in a book called Creating Historic Preservation in the 21st Century. This is a topic I have been working on for many years. You can see some of my writing on it here and here.
The National Register and the Secretary of the Interior’s Standards for Treatment are not culturally neutral tools. For historical and pragmatic reasons, they privilege architecture and white male history. Worse, those cultures oppressed in the past are forced to relive that oppression when told that their historic sites lack “integrity.”
Where “Invisible Man” was written in the 1940s, Manhattan.
Those who were second-class citizens had to make do with second-class facilities and now second-class landmarks. Second-class status is perpetuated when we make minority landmarks live up to rules designed by and for the dominating culture.
Woolworth’s, designed by Adams and Adams in 1921.
The relevance of this struck me in regard to the State of Texas plan to demolish the Woolworth’s Building on Alamo Plaza, which emerged three months ago (see my blog about it here.)
This was a major building by a national chain at the major intersection of Alamo and Houston Streets. The interior is heavily altered, but the exterior looks much as it did when built in 1921. It is on the National Register and a local landmark. But wait. There’s more.
The San Antonio Woolworth’s desegregated its lunch counter on March 16, 1960, peacefully and without demonstration. This was a first for the South. The Greensboro, N.C. sit-in at a Woolworth’s lunch counter had been only six weeks earlier. It was a first for Woolworth’s, a national chain that was still being picketed nationwide and would not officially adopt an integrated lunch counter policy for months.
A few days later Jackie Robinson, in San Antonio, compared the event to his entry into Major League Baseball and said “It is a story that should be told around the world,” according to the New York Times.
Five other stores also integrated peacefully on that day, and none wanted to be called out. The San Antonio Express and News reported:
“Speculation was that the flat refusal by the group to name the stores may stem from recent reports that some of the larger chain stores have ordered their managers not to integrate.
Also, a spokesman from one store said earlier that most of the businesses are for integration, but none of them want to be named as the first to make the move.”
Kress, one of the other stores.
Photos of the Woolworth’s store ran in the San Antonio News that day, and Kress was mentioned in the Light. While some of the other stores’ locations survive, thanks to Greensboro, Woolworth’s remains forever front-and-center in civil rights history.
SO – what happens now? Three months after they released their initial plan to demolish the Woolworth’s building, the Alamo is now hiring an architect to evaluate the buildings based on the Secretary of the Interior’s Standards and their significance at the national state and local levels.
If you have experience with minority culture sites, you can see where this is going.
They have already released an illustration showing how the three building’s interior floors don’t line up. That will be Reason 1, although it will be wrong, because in this particular case you could gut the interiors so they do line up – just like Joske’s did – and still have the exterior where the young African-American boy peering into the store was photographed on March 16, 1960.
Joske’s, November 2014.
And you can still interpret the long-lost mission wall and buildings inside – in the shade.
Reason 2 will be that the building does not have sufficient integrity on the interior. This conclusion would require ignoring both the minority cultural context and current directives on evaluating interior integrity. Recognizing its deficiencies in addressing cultural and historical sites, in December 2016 the National Park Service issued new guidance that encourages conserving “a space’s historic associations even though its component features and materials may be themselves so highly deteriorated that their integrity is irretrievably lost.”
Woolworth’s storefront on Houston Street – the markings on the ground show where mission buildings were. Also where Travis lived during the siege. Probably his slave Joe as well.
Reason 3 will be this: If you demolish Woolworth’s you will still have other sites that witnessed peaceful integration in March, 1960. That is true, and incredibly insulting.
It says your history can make do with fewer landmarks. It says because you have Neisner’s, Kress’ and Green’s then you don’t need the only one people have heard of.
Erasing an authentic place for a reconstruction?
Whose history would be erased for whose?
Photo: UTSA Special Collections Courtesy San Antonio Express News
Are they making a state park in the middle of the city? With a 130,000 square foot museum? Fencing off the San Antonio’s most important public space?
This is the Piazza Navona, one of the world’s great urban spaces. It sits on the site of the Roman Circus. There is no need to recreate the circus, or wall it off. The use of that space by the public connects it back 2000 thousand years and forward another 1000. It is alive, not covered by glass or shrubs. Alamo Plaza is our Piazza Navona. They are almost the same size and scale.
Last year’s Master Plan envisioned glass walls around the Alamo Plaza. This year’s Interpretive Plan reduces the walls to fences and shrouds them in shrubs, but the goal is the same. Manage – and likely monetize – the space. Since both plans have this attribute, the order is clearly coming from the client, not the designer.
No more sneaking in
Public meetings are going on now to take stock of this interpretive plan. Bottom line? Every San Antonian has the right to take a selfie in front of the Alamo at 1 A.M.
Or 7 A.M.
We at the San Antonio Conservation Society are circulating a petition focusing on access to the plaza and the buildings that face the Alamo. We have been fighting for these buildings since 2015 when the state bought them, and a year ago, we thought we had won! Last year’s Master Plan had the Crockett, Palace and Woolworth’s Buildings saved as part of the new museum. We supported that, along with the restoration of the chapel and Long Barracks, and the regrading of the plaza to create a more uniform space in the courtyard/battlefield. The City Council approved it. This year’s plan is different, and not in a good way.
Crockett Building on left, built the year before the Alamo was purchased by the state.
This is still the location of the big ‘ol museum. For our presentation, they showed keeping the front half of the Crockett Building, which would create an appropriately reverent transition from the courtyard/battlefield to the high-tech wizardry they are promising inside. They also had an illustration that demolished all three buildings.
The plan we saw removed the two other landmark buildings, including the Woolworth’s on the corner, site of the first voluntary peaceful integration of a lunch counter in the South (March 1960). All three are landmarks locally and listed on the National Register.
You can interpret both the lunch counter and the long-lost west wall of the compound inside the building. In the shade. Why is it always either/or? Designers know better.
The real irony here is that in the name of interpreting history, they suggest removing actual century-old historic buildings in order to replace them with modern versions of long-lost elements, like the wall. Replacing real history with fake history? Tossing actual historic fabric in the dumpster for a conjectural reconstruction?
The other big issue is access. Last year the plan closed Alamo Street in front of the Alamo. Now they are closing part of Houston Street to the north, Crockett Street, and the bit of Alamo between Market and Commerce. Access is limited to five gates. The planners are adamant that the Battle of Flowers parade and Fiesta Flambeau can’t parade in front of the Alamo? Why? We have a fence around Wulff House and we still let the Granaderos y Damas de Galvez do their living history there once a year. We take the fence down for a day and then put it back. That’s not hard. Why the bloodymindedness?
We okayed closing Alamo Street in front of the chapel a year ago, but now the closures have grown like kudzu and it seems there will be little northerly traffic through the downtown.
Unless they re-open Main Plaza. Just sayin’.
I still don’t get why no one has proposed restoring the chapel to the way it was during the battle.
In addition to the irony of demolishing actual historical things for reproductions, there is the irony of wanting to get rid of the “tacky” theme park-styled attractions that occupy the Woolworth’s and Palace Buildings, as well as more to the south. Yet walling off the plaza for heritage reenactment risks turning the whole thing into a kind of theme park like Colonial Williamsburg.
The amount of physical intervention proposed by this interpretive plan is really staggering. This is the 21st century – you don’t need the sort of physical interventions people were doing in the 1930s (like Colonial Williamsburg). Or 1960s. This is NOW. Augmented reality, programmable to the latest discoveries. Clean up, regrade and reprogram. No heavy machinery needed.
Looking at the key point where the March 6, 1836 battle turned – underneath the Post Office.
Check out my previous blogs on how actual tourists will be experiencing historic sites tomorrow. Don’t spend millions crafting something that will be silly in five years. Y’all can’t outdo Piazza Navona. That takes actual, continuous history, not a recreated circus.
Not the Alamo. Also not Piazza Navona, but it is a Roman ruin.
AUGUST 2 UPDATE:
Still no timeline for a revised plan, but they are releasing an RFQ for an architect for the museum and commissioning someone to evaluate the buildings in light of the Secretary of the Interior’s Standards for Treatment. The National Trust for Historic Preservation weighed in with a letter urging preservation of the buildings. The City Manager, Mayor, County Judge and Councilman Trevino have all gone public in support of preserving the buildings and keeping the plaza open, which are the two main points in our petition. And our petition now has over 6,200 signatures!
OCTOBER 1 UPDATE
We now have more information on the importance of the Woolworth’s Building (see my blog here) and a new August 2018 The Alamo Plan. It devotes six pages to the Crockett Block buildings, beginning with “Why can’t you retain the buildings on the west side of the site?” following with “This needs further study” and then “Retain multiple options until later in the design process” and then “Assess the Significance and Integrity” before two pages of structural diagrams showing how the floors don’t line up.
After reading these pages it is hard not hear Henry II shouting “Will no one rid me of this meddlesome priest?”
My blog also deals with the integrity and structural issues FYI.
Petition drive now concluded with about 7,300 total. City Council votes on October 18.
This year at PastForward, the National Preservation Conference, the National Trust for Historic Preservation focused on People Saving Places. “People” is operative, because for many – notably wonky architectural historians like myself – it had often been about buildings. Even for those in the planning profession, it had been a technical question rather than a human one. That is wrong.
Over the dozen years of this blog I have sprinkled in historical facts about how old certain ideas and institutions are. This is because these things are so fundamental to our way of seeing and interacting with the world that we assume them to be eternal, not a few decades or a couple centuries old.
Twelve years and 502 blogs ago, I began “Time Tells” – my little blog about heritage conservation, architecture, planning, technology and economics. I have moved three times in those dozen years and now live in San Antonio, one of the pioneering preservation places in the United States.