I was at the National Preservation Conference in Portland, Oregon (Motto: It isn’t easy being green) last week and both the city and event impressed, even beyond the obvious Holy Grail of American microbrew. I went on a green preservation tour last Thursday through the Ecotrust building (The Jean Vollum Natural Capital Center), a century-old warehouse that was the first preservation project to gain LEED gold certification. LEED stands for Leadership in Energy and Environmental Design and is very smart among the architectural set of late. Even though the re-use of an existing building would seem to be naturally environmentally efficient, the fact is LEED, like most things, tends to be geared toward new construction, even though the plurality of landfill waste is construction debris. The Ecotrust building managed to re-use 98.6% (!!) of the existing materials by creating a huge boneyard for every removed piece of building and then finding a use for it – doors became walls, beams became chairs, boiler covers became nameplates, etc., etc. The building handles 95% of its stormwater on site through swales and a permeable parking lot, has a green roof (German 2-3 inch design so the old building could handle the loads) and even the requisite seismic reinforcement. Continue Reading
On The Face of It: The Facadism Problem
The struggle for historic preservation is complicated when it comes to facades; what everyone sees; the public face of buildings, where the public interest lies. In historic districts, the goal is to preserve the context of a place, defined by facades. Preservation commissions rarely regulate interior spaces in districts. This leads many to assume that preservation is only about the visual exterior façade of a building, which is wrong.
I first attacked “facadism” almost 20 years ago when developers proposed relocating the façade of the 1872 McCarthy Building on Chicago’s Block 37, since only the façade had been designated a landmark. At the time, several Chicago Landmarks were “façade designations” and this encouraged developers to propose picking them up and moving them about like furniture. It is eaiser to save a thing than a place. But it reached a point of absurdity when the city proposed designating the façade of the Ludington Building, an 1891 work of William LeBaron Jenney. Jenney is famous for pioneering the steel frame skyscraper – shouldn’t the designation include the structure? The façade trend hit its peak with the Chicago Tribune Tower façade designation in 1989, and then came back with a vengeance with the 1996 deal to skin and rebuild the Art Deco McGraw Hill Building on Michigan Avenue, the most outrageous (and scarily successful) example of a period that also saw the demolition of all but 5 feet of the Perkins, Fellows and Hamilton Studio of 1917 for the new Park Hyatt tower. Continue Reading