Are they making a state park in the middle of the city? With a 130,000 square foot museum, a third larger that the Witte? Fencing off the San Antonio’s most important public space?
This is the Piazza Navona, one of the world’s great urban spaces. It sits on the site of the Roman Circus. There is no need to recreate the circus, or wall it off. The use of that space by the public connects it back 2000 thousand years and forward another 1000. It is alive, not covered by glass or shrubs. Alamo Plaza is our Piazza Navona. They are almost the same size and scale.
Last year’s Master Plan envisioned glass walls around the Alamo Plaza. This year’s Interpretive Plan reduces the walls to fences and shrouds them in shrubs, but the goal is the same. Manage – and likely monetize – the space. Since both plans have this attribute, the order is clearly coming from the client, not the designer.
No more sneaking in
Public meetings are going on now to take stock of this interpretive plan. Bottom line? Every San Antonian has the right to take a selfie in front of the Alamo at 1 A.M.
Or 7 A.M.
We at the San Antonio Conservation Society are circulating a petition focusing on access to the plaza and the buildings that face the Alamo. We have been fighting for these buildings since 2015 when the state bought them, and a year ago, we thought we had won! Last year’s Master Plan had the Crockett, Palace and Woolworth’s Buildings saved as part of the new museum. We supported that, along with the restoration of the chapel and Long Barracks, and the regrading of the plaza to create a more uniform space in the courtyard/battlefield. The City Council approved it. This one’s different, and not in a good way.
Crockett Building on left, built the year before the Alamo was purchased by the state.
This is still the location of the big ‘ol museum. For our presentation, they showed keeping the front half of the Crockett Building, which would create an appropriately reverent transition from the courtyard/battlefield to the high-tech wizardry they are promising inside.
But the plan we saw removed the other buildings, including the Woolworth’s on the corner, site of the first voluntary peaceful integration of a lunch counter in the South (March 1960).
You can interpret both the lunch counter and the long-lost west wall of the compound inside the building. In the shade. Why is it always either/or? Designers know better.
The real irony here is that in the name of interpreting history, they suggest removing actual century-old historic buildings in order to replace them with modern versions of long-lost elements, like the wall. Replacing real history with fake history? Tossing actual historic fabric in the dumpster for a recreated fantasy?
The other big issue is access. Last year the plan closed Alamo Street in front of the Alamo. Now they are closing part of Houston Street to the north, Crockett Street, and the bit of Alamo between Market and Commerce. Access is limited to five gates. The planners are adamant that the Battle of Flowers parade and Fiesta Flambeau can’t parade in front of the Alamo? Why? We have a fence around Wulff House and we still let the Granaderos y Damas de Galvez do their living history there once a year. We take the fence down for a day and then put it back. That’s not hard. Why the bloodymindedness?
We okayed closing Alamo Street in front of the chapel a year ago, but now the closures have grown like kudzu and it seems there will be little northerly traffic through the downtown.
Unless they re-open Main Plaza. Just sayin’.
I still don’t get why no one has proposed restoring the chapel to the way it was during the battle.
In addition to the irony of demolishing actual historical things for reproductions, there is the irony of wanting to get rid of the “tacky” theme park-styled attractions that occupy the Woolworth’s and Palace Buildings, as well as more to the south. Yet walling off the plaza for heritage reenactment risks turning the whole thing into a kind of theme park like Colonial Williamsburg.
The amount of physical intervention proposed by this interpretive plan is really staggering. This is the 21st century – you don’t need the sort of physical interventions people were doing in the 1930s (like Colonial Williamsburg). Or 1960s. This is NOW. Augmented reality, programmable to the latest discoveries. Clean up, regrade and reprogram. No heavy machinery needed.
Looking at the key point where the March 6, 1836 battle turned – underneath the Post Office.
Check out my previous blogs on how actual tourists will be experiencing historic sites tomorrow. Don’t spend millions crafting something that will be silly in five years. Y’all can’t outdo Piazza Navona. That takes actual, continuous history, not a recreated circus.
Not the Alamo. Also not Piazza Navona, but it is a Roman ruin.
Over the dozen years of this blog I have sprinkled in historical facts about how old certain ideas and institutions are. This is because these things are so fundamental to our way of seeing and interacting with the world that we assume them to be eternal, not a few decades or a couple centuries old.
I attended a recent ULI event here in San Antonio that outlined emerging trends in real estate. I was struck by how much the factors they identified tracked with my own prognostications in November during my Partners speech in Houston at the National Trust conference.
The big news this week is the long-awaited release of the Alamo Master plan, following a process that took most of the year. Actually, the real master plan won’t be done for another six months, but the summary that was released to City Council and civic groups finally takes some clear positions on what the Alamo area will look like in the future. Continue Reading
Old school. Not enough room on the sign for the whole story, so you have to turn it over…
Last month I wrote about Colin Ellard’s work, the neuroscience of why historic buildings and good design are better for your physical and mental health than the frequent monolithic stretches of our contemporary streetscape. You can read it here.
At that time, I promised a follow-up blog about how technology – including the kind that allowed Ellard to do his studies – also offers new possibilities for interpretation. I taught historic interpretation classes for more than a decade, and I have always been fascinated by every kind of historic interpretation, from big bronze signs and statues, to performances and interactive displays. Continue Reading
Ten years ago this November. My blog covered the event.
That is Vasyl Rozhko at the end of the table with me to his right. I was in the Ukraine at the invitation of Myron Stachkiw (pointing at left) and other heritage experts, including Henry and Chris Cleere and Taissa Bushnell. Rozhko’s father had spent his life documenting over 4000 post holes carved into 55-million year old rock outcroppings along a river in the Carpathian mountains. Continue Reading
Where are the people? Why don’t they flock here?
I just read Colin Ellard’s Places of the Heart: The Psychogeography of Everyday Life because I saw a reference to his studies, which measure how buildings and landscapes affect our bodies and minds, our thoughts and emotions. He famously tracked persons’ stress levels as they encountered blank and forbidding urban scenes versus human-scaled and interesting ones. Blank and forbidding facades increase cortisol and stress. Varied and humane ones trigger dopamine. Continue Reading