Shortly after moving to San Antonio in 2016, I encountered this house just a couple blocks from my apartment. Immediately I was struck by the appearance of a full-on Wrightian Prairie House in the heart of San Antonio.
I posted it on Instagram and was immediately informed that this was the Lawrence T. Wright (no relation) house by George Willis. After a day or two I realized Willis’ name had appeared in my book The Architecture of Barry Byrne: Bringing the Prairie School to Europe. Willis had been a draftsman nearly four years when Byrne arrived in Frank Lloyd Wright’s Oak Park Studio in 1902.
Willis practiced a few years in California with Myron Hunt and a few more in Dallas before relocating to San Antonio in 1911. Willis is probably best known for his 1928 Milam Building, known as the first fully air-conditioned office building in America. By this time he had adopted the streamlined revival styles of the 1920s, decorating the upper levels of the building’s 21 stories with Spanish Revival terra-cotta.
Willis arrived in San Antonio as a Wrightian, and his houses show the influence up until 1919 or so. Many are attributed to Atlee Ayres, in whose office Willis worked until 1916. Here are a few of the ones we have found:
A couple of years ago I stumbled across this one in Alta Vista, and I promise you it IS by George Willis and from the same period, c. 1915, even though we haven’t found documentary evidence.
By 1919 George Willis has departed from Modernist Prairie style for the revival styles that would dominate the 1920s, as seen in this house on West Woodlawn in Beacon Hill. A recent article in the Express-News claims that this is the first Spanish Colonial house in San Antonio, and one of the first built with air conditioning.
Willis was a major San Antonio figure by this time, collaborating with Atlee Ayres and Emmett Jackson on such major projects as the Municipal Auditorium and 1926 addition to the Bexar County Courthouse.
Willis worked on the Sunken Garden Theater WPA Project in 1937 with Harvey Smith and Charles Boelhauwe. He continued practicing in San Antonio until his death in 1960 and has left a significant architectural legacy throughout the city.
It’s the longest day and it has been a month since my last post, so time for a quick catch-up on the state of Conservation in San Antonio!
First, up, the Alamo, whose managing non-profit met today while camels wandered the grounds. They recently announced the architects for the new “world-class” museum after interviewing them last January. They chose Machado Silvetti from Boston. Machado taught in Texas back in the day, according to former students. Hope they look at our design. They have also changed their by-laws to keep Land Commissioner George P. Bush at a distance and become more like a regular non-profit that raises money through philanthropy. Good idea – the last four years of top-down planning have been on the public dime.
Out in the neighborhoods where preservation really happens we are having our Third Neighborhood Workshop tomorrow, June 22, 2019 and it will be a doozy – we are premiering our board game “Plots and Plats: A Neighborhood Development Game” that takes you through the process of developing land and getting Zoning, Planning, Historic and City Council approvals all while dealing with Neighborhood organizations, development delays, financing and the like. It is at the Mexican-American Unity Council 2300 W. Commerce tomorrow at 9 AM!
Tonight you should drop by the Beethoven Maennerchor for Gartenfest, not simply because this is the oldest German singing society west of the Mississippi (152 years) and not simply because it is one of only three in Texas with its own building and beer garden, nor simply because I will be singing with the choir at 8 PM, but ALSO because we have a very cool set of guest taps ($20) from two Texas breweries – my favorite Karbach (Rodeo Clown, Light Circus Hazy IPA, Cherry Lime Radler and Coastal Conservation Wit) and the legendary Shiner (Bock, Light Blonde, Wicked Juicy IPA and Sea Salt & Lime!)
Talk about heritage conservation (or rather, hear us sing about it!)
We are still trying to save that fabulous little 1935 Pure Oil gas station on Nogalitos – we have even been trying to buy it! It was the centerpiece of my most popular blog from 2018 with over 4,000 views. It even rated a half-page in Preservation magazine this spring!
The city recently landmarked an East Side ice house, a Tobin Hill bungalow and a Lavaca house-cum-storefront, but sadly passed on two other Tobin Hill houses because they are swimming in a sea of vexaciously vacant and valuable land. Neighbors are still fighting, but City Council has approved the demolition.
on a more positive note:
The 1880 Claudius King house by San Antonio’s first great architect Alfred Giles made its way across the street to its new home this month. We live-blogged it at San Antonio Conservation Society.
This week we celebrated two excellent years under the leadership of President Susan Beavin and next week we welcome new President Patti Zaiontz, who knows the ins and outs of the best preservation city in the U.S.
San Antonio, Texas!
A week ago the Texas Historical Commission voted unanimously to designate the Woolworth Building in San Antonio as a State Antiquities Landmark. While no landmark designation can absolutely prevent demolition, this status is significant. More importantly, unlike the earlier designations (National Register and City) this nomination included a detailed discussion of the civil rights history of the site.
The big week began on Tuesday, when the San Antonio Conservation Society, joined by the Coalition for the Woolworth Building, released a compromise plan that would wall off Alamo Plaza and expose the location of the mission’s west wall – while preserving the Crockett and Woolworth Buildings. The event got good coverage in print and television and even radio!
One of the ironies of the decades-old attempt to reveal the site of the western wall is that the northern wall – beneath the Post Office and Gibbs Building – was more significant in the 1836 battle. This is where Santa Anna broke through and this is where commanding officer Lt. Col. Travis fell.
No remains of the western wall survive – not only were the walls destroyed after the 1836 battle, but the Crockett Block buildings have full basements, which eliminates any remnant of 17th century foundations (unless the Franciscans were sinking 14-foot deep footings).
Our plan preserves the Crockett and Woolworth Buildings while adding a large 4-story addition to the rear to achieve the stated goal of a 130,000 square foot museum. We also carve an arcade through the buildings to reveal where the wall was. This provides a “teaser” for the exhibits inside, which can include in the Woolworth site both the Castañeda and Treviño houses along the wall, as well as the Woolworth lunch counter site.
Unlike the Conservation Society’s earlier position, the fences and walls enclosing the plaza are illustrated in this plan. Moreover, the Palace theater facade is removed to allow for a grand entrance to the new museum. This displeases some preservationists.
The Alamo management (the buildings have been owned by the Texas General Land Office since 2015) dismissed our effort to share a vision that includes BOTH a new museum and enclosed plaza AND preserved landmarks. As I said to a reporter following the press conference – you can walk along the line of the wall and when you reach the Woolworth interior, you can turn right and learn about the battle, then turn left and learn about the lunch counter integration.
We have been advocating for the Woolworth Building since 2015 and it was a rewarding week thanks to the efforts of the Coalition for the Woolworth Building, who participated in both the press conference and the trip to Austin for State Antiquities Landmark designation!
“The U.S. Civil Rights Trail was designed to motivate people to learn more, see more and feel more. The website can tell the stories, but the emotional weight of those stories cannot be fully absorbed without standing in the exact spots where sacrifices were made and the direction of history was changed.”
The Civil Rights Trail combines sites that have been significant in the battle for Civil Rights, especially the 1950s and 1960s. Launched in January, 2018, the Trail includes over 100 sites in 14 states. Given the incredible popular success of the National Museum of African-American History and Culture and the fact that Civil Rights tourism is a growth sector demanding honest history, the identification and interpretation of such sites promises to be an economic boon to communities where these resources are located.
In San Antonio, we have the story of the first voluntary and peaceful integration of a Woolworth’s lunch counter on March 16, 1960, a story that Jackie Robinson said “should be told around the world.” He was quoted in the New York Times on March 20, 1960, but the story did not have the “legs” of the more confrontational protests in other cities.
In addition to Woolworth’s the sites of the Kress, H.L. Green, Grant’s, Sommers and Neisner’s stores survive, sans lunch counters. The beginnings of a Civil Rights trail are right in front of us, although the concern is that at least two of these could disappear soon.
Thanks to local landscape architect and historian Everett Fly, more overlooked sites in San Antonio are now being uncovered. You could see markers for the Rincon School near the River Walk, but Fly’s work has really illuminated the importance of downtown – notably Alamo Plaza, in a struggle for equal rights that goes back to the early 1880s.
The challenge now is to bundle these sites – and many more, into a package that can attract tourist investment. In San Antonio we already have the largest Martin Luther King Day march, active contingents of Buffalo Soldier interpreters, and Everett Fly’s impressive research into African American cemeteries.
The opportunity is there. The question is: Do we embrace it?
Here is a very intact Victorian home in San Antonio of the typical Queen Anne type: L-shaped plan with front facing gable, decorative balusters, posts and porch trim. It even has decorative brackets with drop pendants that survive on the corner.
Next door we have this house. It is boarded up and a temporary fence was added three weeks ago, but this Queen Anne retains a lot of integrity, from every one of its four Doric order porch columns to original wood siding and decorative shingles in the protruding gables. The house volume is unchanged since 1912.
Next door, also behind the fence, this Folk Victorian gem has a double-munched standing seam metal roof, original siding and original shingles in the gables. It is also boarded up, so we don’t know how many original doors and windows survive, but in my experience, there will be several if not all.
SOOOOOO……. the owner proposed to demolish these three.
I have seen buildings in WAY worse shape get saved.
In fact, one that was on the demolition list when I started at the San Antonio Conservation Society three years ago recently came up in our house hunting.
The owner of the three Commerce houses has a business a block away where he rents, so he bought these “just in case.”
Perfect! Move your offices in there and ditch the landlord!
Um, so then the owner’s representative said they tried renting them but they were having too much trouble. But then the druggies and thugs started hanging out and breaking in, so they need to be demolished.
Because when you demolish buildings, those problems go away?
Then the owner’s rep said he wants to build and apartment building here but has no plans and no timeline.
“There is plenty of room to put in his office AND add an apartment building,” I said. This is not an EITHER/OR.
And then there is money. You rehab these as houses, you can get the city tax incentives. You rehab them as National Register landmarks (that still needs to be done) and you can get a 20% investment tax credit. And a 25% state tax credit. They would totally qualify based on their history, architecture and condition. 45% of your rehab costs paid for.
Since the fence went up three weeks ago the squatters and scrabblers have stayed away. We can only hope the owner listens to reason. Or money. Or the neighbors. Or takes a look at Zillow and sees what has happened to other buildings that someone once thought should be demolished.
Because they couldn’t think of anything else.
Paper or plastic?
For years we have been offered this choice at the supermarket checkout, and it annoys me. Why can’t I have both? I sometimes reply “Some of each,” which confuses people. But I actually have some need for plastic and some for paper. I’m NOT one or the other.
Our “polarized” 2019 world has been caused by many such false choices – politically and otherwise – between categories that seem to exclude each other. But they don’t. Making the categories more extreme (i.e., you are either Communist or Fascist) makes the duality seem real. It’s not.
Let’s leave the hoary hoardings of the politicalifragilistic to one side and remain in our expertise: architectural history and preservation. 13 years ago in this blog I celebrated a debate which I witnessed several times between modernist Paul Byard and classicist Steven Semes (who is a good friend) on the appropriate way to design additions to historic buildings. Byard, who has since passed away, advocated modernist additions while Semes has written a book arguing for contextual additions. The debate was AWESOME because each speaker was so convincing you actually suspended your own bias and wandered back and forth between the camps.
The debate and the dichotomy struck me yesterday as I visited the San Antonio Museum of Art, a late Victorian building with two contemporary additions.
One satisfies the contextualists, and one uses contemporary materials to distinguish itself from the original. Both defer to the original building in scale, massing and setback. If you are sensitive to brick color and the patina of time, both read clearly as additions. I like them BOTH.
SAMA has both MODERNIST and CONTEXTUAL additions. Or perhaps I should say SAMA has BOTH Modernist AND Contextual additions.
BOTH AND is the actual dynamic state of the world. The binaries and categories we use to make sense of this world are intellectual constructs that negate a major physical reality: Time.
A thing now does not equal a thing ten years from now. This is manifest at the quantum level but it is also true up here in the everyday. Styles change, technologies change, and materials age, each at their own rate.
There are continuities, of course, and indeed the task of heritage conservation is about maintaining continuities amid change. To do that job, you need to see things as they are, not as you would have them be. You need to understand BOTH now AND then.
The dynamic nature of experience and existence belies clumsy categorizations. We, and our work, are always in the process of becoming.
I explained this better in my 2012 blog: Categories are your Frenemies.
San Antonio has a unique history in the Civil Rights movement, but it is not known because it is characterized not by conflict, but by its absence. The tradition continues to this day with the nation’s largest Martin Luther King Day March. Approximately 300,000 participants annually.
This year, a new Coalition for the Woolworth Building participated in the march and had an information booth in the park afterwards. The Conservation Society is a member along with the San Antonio African American Community Archive and Museum and Esperanza Peace and Justice Center, among others.
As the banner notes, what happened in San Antonio in 1960 was different.
- February 1, 1960 – four students stage a sit-in at a segregated Woolworth’s lunch counter in Greensboro, North Carolina. Protests and violent reactions pepper the nation in the following weeks.
- March, 1960 – OLLU student and NAACP member Mary Andrews sends letters to downtown lunch counters requesting equal service. NAACP holds rally Sunday March 13 and asks for desegregation by Thursday March 17.
- On Tuesday, March 15 civic, religious and business leaders meet and agree to desegregate Woolworth’s and six other lunch counters.
- Wednesday, March 16, 1960. Photographers descend on Woolworth’s in San Antonio as blacks and whites are served equally at the basement cafeteria and lunch counter
- March 19, 1960. Jackie Robinson calls the voluntary integration “a story that should be told around the world” and compares it to his integration of Major League baseball in a Page 1 New York Times story
There were places – Corpus Christi, Oklahoma City, that integrated their ,lunch counters earlier, but only following protests and confict. San Antonio proceeded differently.
Woolworth’s location gave it special significance. Nettie Hinton recalls buying the “big donuts” at Woolworth’s prior to catching the bus to the African-American East Side. Indeed, the corner of Alamo and Houston was where the cultures of San Antonio met and separated – Hispanics to the west, African Americans to the east, and Anglos to the north.
The story is not well known, despite Jackie Robinson and the front page of the New York Times because there was no violence. The old news media saying “If it bleeds, it leads” could find no purchase in the soil of San Antonio, so the story was not “told around the world” as Robinson pleaded.
Although it could be still! In fact, Civil Rights sites are one of the few growth areas in tourism, as reported recently. This Civil Rights site is an opportunity for San Antonio.
What’s Not There
Now, the threat to the Woolworth’s Building since 2015 has been that it sits atop the site of the west wall of the Alamo compound, potentially the site of Travis’ quarters during the epochal 1836 battle.
Yesterday someone said to me: “But the lunch counter is gone – there is no remnant of it.”
The same is true of the western wall and Travis’ quarters. Nothing left of them. The buildings there have basements, so it’s all gone. No remnant.
So which do you interpret?
Both, obviously. And you have tons of room inside the Woolworth Building to do that.
See my 2018 blog on the Woolworth Building here.
The Woolworth Building has been nominated as a State Antiquities Landmark, to be heard by the Texas Historical Commission on April 16. You can voice your support by contacting Mark Wolfe, Executive Director, Texas Historical Commission, P.O. Box 12276, Austin, TX 78711, Mark.Wolfe@thc.texas.gov
Also, check the Conservation Society website for updates!
If you want to see what the Alamo Plaza plan was like exactly four months ago prior to a series of public meetings, check out my blog from June 20 here. If you want to see what the City Council approved last week, check out my blog from June 20 here. Not much changed, although a booklet called Alamo Plan August 2018 did address a series of the questions that came up during the public meetings and explained why things pretty much had to stay the way they were. Like the website, the book starts on the negative, decrying all of the icky things that happen in front of the Alamo.
Always best to start with the negative..
We don’t get the POSITIVE vision for the site until after the City hands over control. It is curious that we only are presented what Alamo Plaza shouldn’t be – the few images in the booklet are generic and uninspiring.
The Crockett, Palace and Woolworth Buildings that we have been advocating for for the last three years. These face the Alamo chapel. In the August 2018 book they announce they will “assess the significance and integrity according to national standards” and “assess opportunities for reuse, including how to connect multiple floor plates”. This is the equivalent of Henry II’s plaintive wail “Will no one rid me of this meddlesome priest?”
The City Council voted to lease the plaza and streets to the State of Texas for 50 years (with two 25-year extensions). The main changes over the four months were not changes to the plan as much as changes to those opposed to the plan. The two main parades (Battle of Flowers and Fiesta Flambeau) agreed to the new parade routes, the Citizens Advisory Committee publically approved the plan, and the Historic and Design Review Committee approved the moving of the Cenotaph, which raised the most controversy over the summer.
The new location of the Cenotaph within the plaza area was arguably the only change made to the plan itself. They did add some new drawings commemorating the Payaya Indians who first inhabited the 1718 mission to the final presentation and book. These added illustrations received significant commendation from the Council members for interpreting more than just the 1836 Battle of the Alamo. So… they included the 18th century, but what about the 20th???
The Phil Collins-sponsored metal model plaques that were installed this year start with 1744, and then march to 1785, 1793, 1836, 1846, 1861 and … then stop marching at 1900. This is the problem: They claim to interpret 300 years of history but actually stop halfway, prior to the 20th century. Which is when Adina de Zavala and Claire Driscoll actually saved the Alamo. And a city happened.
Despite the casting of this summer’s plan as an “interpretive plan,” the only hints at interpretation were images of costumed interpreters and the recent hiring of a living history director. Although they have assured me there will be 21st century museum staples like augmented reality, there is a curious fondness for the unpopular and unprofitable world of 20th century living history, which I surveyed in another recent blog.
In fairness to our city leaders, we raised a big stink about the importance of the Woolworth’s Building in Civil Rights history (see my blog here) and this was referenced in the City’s lease agreement, if not into the Alamo Plan publication. But it can still be demolished.
That would be a missed opportunity to make money.
A recent study shows that Civil Rights tourism is one of the few categories of tourism that is growing – a new Green Book movie is coming out and the National Museum of African-American History with 2.4 million tourists has kicked off a boom in the sector.
Fine looking building – would be worth saving for architecture. But the Civil Rights history is even more epic.
The other big issue this summer was access, a subject of our petition. The new museum which will occupy the space (and hopefully the facades) of the Crockett and Woolworth Buildings will be open 9-5 and during that time only one access point to the plaza – next to the museum – will be open to the public.
No sneaking in!!!!!
Up to six gates in the new fences surrounding the plaza will be open at other times, so that vital midnight selfie in front of the Alamo will be only a bit less convenient than today. This element of the plan upset most of the architects and planners in town, and again, there was minimal change – more off-hours access points were added, but daytime stayed at one.
My normal time is 7 AM, although I will probably have to leave my bike outside.
So, now all the decisions will be taken by the state. The Citizens Advisory Committee and the Historic and Design Review Commission will comment on the results of the architectural assessments, but the power lies with the General Land Office of the State of Texas.
We can hope. Our focus at San Antonio Conservation Society remains on the buildings. Roads can be closed and opened. Gates can be added and subtracted, Fences can be erected and deconstructed. But once you tear down these historic buildings, they are gone forever.
This will be a primarily visual blog highlighting some of the heritage sites I saw this past month which I had not seen before. First is the Tuberculosis sanitarium houses on Zarzamora here in San Antonio.
Built starting in 1938, this complex of a dozen buildings features red tile roofs and southwestern style sun-baked wall finishes. TB patients would each get a small cubic house with plenty of windows and really sweet architectural details.
Gotta love a real steel casement window. They rolled that steel 7 or 8 times to get those delicate profiles. Nothing like it today.
University Health Systems owns them and uses some for offices and some for storage. We are hoping that several can be preserved in the long-term, focusing on those built in the 1938-48 period of initial construction. The overall feeling is like you are on a 1920s silent movie set!
We also got to tour the Sisson House, a very early house adjacent to the acequia at Mission San Jose. The American Indians in Texas are planning to create their museum there. The house is owned by the National Park Service.
The fun part here is trying to figure out which section was built when. There are two structures, and parts of the main house here appear to be wood, but a rear portion is stone and/or caliche block.
Did they take stone from the abandoned mission and build an addition? The rear building has a surprisingly deep basement – was it built first? I love these kind of forensic escapades with knowledgeable historic architects around as we debate potential answers.
Even the double munched standing seam metal roof has a curious proportion on the shed addition.
The next treasure is in Billings, Montana and it is a house museum. I have seen many, many house museums, but the Moss Mansion in Billings is really something. Built in 1903 and designed by Henry Hardenbergh of Manhattan’s Plaza Hotel and Dakota Apartments, this house was an exercise in architectural styles, beginning with the insanely detailed Moorish foyer:
To the left is a library so paneled and English that is has a stained glass window of William Shakespeare, while to the right is a room so French and pink you expect Louis XIV-XVI to materialize out of thin air.
The level of architectural detail is really off the hook – this house did not do a wall finish, but a wainscot, a wall finish, a crown finish and a relief plastered ceiling in every room in every style. Here is the parlor beyond the library in a Nouveau style:
The crown molding here in the study is about 8 inches high and 4 inches deep
Not only is there a massive bathroom on the second floor with tile all over the floors and walls, but even the ceiling is tiled with rosettes at every corner:
horror vacui non potest
Dining room detail. The other side of the room has stained glass.
Not only did they have the first telephone in town (and owned the company, if memory serves) they also had electric hair curlers in every bathroom, and massive ice boxes in the pantry.
This house survived because it stayed in the family until the 1980s. Reminds me of the Maverick Carter House here in San Antonio, which is STILL in the same family, has a similar vintage and a similar Richardsonian Romanesque exterior.
Entry, Maverick Carter House, San Antonio
I actually toured that one back in August, so it doesn’t count for September.
Here’s me with Stephen Cavender at the Audi Dominion, which replaced a Robert Hugman house that was not known at the time. We are standing by a plaque recalling the house and there is an area that uses stones from the property to create a small rest area whilst the house outlines are traced on the lot.
Finally a wonderful courtyard with a tile waterfall design from O’Neil Ford’s incomparable Trinity University, listed on the National Register of Historic Places this year and the site of the city’s second Living Heritage Symposium! That deserves another blog…
This year I published a chapter called “Addressing the Diversity Deficit: Reform the National Register of Historic Places” in a book called Creating Historic Preservation in the 21st Century. This is a topic I have been working on for many years. You can see some of my writing on it here and here.
The National Register and the Secretary of the Interior’s Standards for Treatment are not culturally neutral tools. For historical and pragmatic reasons, they privilege architecture and white male history. Worse, those cultures oppressed in the past are forced to relive that oppression when told that their historic sites lack “integrity.”
Where “Invisible Man” was written in the 1940s, Manhattan.
Those who were second-class citizens had to make do with second-class facilities and now second-class landmarks. Second-class status is perpetuated when we make minority landmarks live up to rules designed by and for the dominating culture.
Woolworth’s, designed by Adams and Adams in 1921.
The relevance of this struck me in regard to the State of Texas plan to demolish the Woolworth’s Building on Alamo Plaza, which emerged three months ago (see my blog about it here.)
This was a major building by a national chain at the major intersection of Alamo and Houston Streets. The interior is heavily altered, but the exterior looks much as it did when built in 1921. It is on the National Register and a local landmark. But wait. There’s more.
The San Antonio Woolworth’s desegregated its lunch counter on March 16, 1960, peacefully and without demonstration. This was a first for the South. The Greensboro, N.C. sit-in at a Woolworth’s lunch counter had been only six weeks earlier. It was a first for Woolworth’s, a national chain that was still being picketed nationwide and would not officially adopt an integrated lunch counter policy for months.
A few days later Jackie Robinson, in San Antonio, compared the event to his entry into Major League Baseball and said “It is a story that should be told around the world,” according to the New York Times.
Five other stores also integrated peacefully on that day, and none wanted to be called out. The San Antonio Express and News reported:
“Speculation was that the flat refusal by the group to name the stores may stem from recent reports that some of the larger chain stores have ordered their managers not to integrate.
Also, a spokesman from one store said earlier that most of the businesses are for integration, but none of them want to be named as the first to make the move.”
Kress, one of the other stores.
Photos of the Woolworth’s store ran in the San Antonio News that day, and Kress was mentioned in the Light. While some of the other stores’ locations survive, thanks to Greensboro, Woolworth’s remains forever front-and-center in civil rights history.
SO – what happens now? Three months after they released their initial plan to demolish the Woolworth’s building, the Alamo is now hiring an architect to evaluate the buildings based on the Secretary of the Interior’s Standards and their significance at the national state and local levels.
If you have experience with minority culture sites, you can see where this is going.
They have already released an illustration showing how the three building’s interior floors don’t line up. That will be Reason 1, although it will be wrong, because in this particular case you could gut the interiors so they do line up – just like Joske’s did – and still have the exterior where the young African-American boy peering into the store was photographed on March 16, 1960.
Joske’s, November 2014.
And you can still interpret the long-lost mission wall and buildings inside – in the shade.
Reason 2 will be that the building does not have sufficient integrity on the interior. This conclusion would require ignoring both the minority cultural context and current directives on evaluating interior integrity. Recognizing its deficiencies in addressing cultural and historical sites, in December 2016 the National Park Service issued new guidance that encourages conserving “a space’s historic associations even though its component features and materials may be themselves so highly deteriorated that their integrity is irretrievably lost.”
Woolworth’s storefront on Houston Street – the markings on the ground show where mission buildings were. Also where Travis lived during the siege. Probably his slave Joe as well.
Reason 3 will be this: If you demolish Woolworth’s you will still have other sites that witnessed peaceful integration in March, 1960. That is true, and incredibly insulting.
It says your history can make do with fewer landmarks. It says because you have Neisner’s, Kress’ and Green’s then you don’t need the only one people have heard of.
Erasing an authentic place for a reconstruction?
Whose history would be erased for whose?
Photo: UTSA Special Collections Courtesy San Antonio Express News