Save Prentice Movement Grows
“But just as a patient expects his doctor to pull out all stops in search of a cure, Northwestern must pursue every avenue before daring to raze one of Chicago’s architectural and engineering treasures.
We don’t think they’re trying hard enough. Surely, there’s a solution.”
That is from an editorial in the Chicago Sun-Times yesterday, one of several actions that have ramped up the pressure on Northwestern University to explain why it needs to demolish Bertrand Goldberg’s pathbreaking 1975 Prentice Women’s Hospital, which I have been writing about here for over two years. The first building to use computers in aid of its design, Prentice is a song, a crescendo of 45-foot concrete cantilevers twirling into a quatrefoil of cylindrical skin delicately punched with ovals, a bold sculpture on a base that makes the regular buildings around it look dull-witted.
The architecture geeks have loved this building for a while, and of course I announced its ascension to the National Trust Eleven Most Endangered List a little over a year ago. Continue Reading
Crunch Time on Prentice
Tomorrow, June 2, 2011, the Commission on Chicago Landmarks will consider preliminary designation of Prentice Women’s Hospital as a Chicago Landmark. This is the result of a joint efforts by Landmarks Illinois, Preservation Chicago and the National Trust for Historic Preservation (which used a photo of Prentice on its new Financial Assistance publication!) to give the building its day in court, or in the words of Landmarks Illinois Advocacy Director Lisa DiChiera “This building is just too high-profile to let it slip away without a thorough, transparent review of its landmark eligibility.” Continue Reading
Mayor Emanuel 2011
Helmut Jahn’s latest at U of C
Chicago has a new Mayor, Rahm Emanuel, and he spent his first Saturday in office doing something aldermen usually do: expediting permits. It seems the University of Chicago – the city’s fifth largest employer- complained that it was taking them 23 months to get permits for decorative streetlights and various construction projects, so he sat down with them to see if he could cut that in half, approve some sort of master plan and get his city departments to coordinate their approvals. This of course has resonance with anyone who has ever dealt with bureaucracy, which is everyone. But there are a few lessons and a few cautions here.
After sorting out U of C’s master plan, Emanuel hopes to do the same with other universities. Make no mistake: universities and hospitals are the ONLY ones building things these days. Both types of institutions have a nearly insatiable appetite for land, which means they are the ones threatening landmarks like Prentice Women’s Hospital. U of C has mostly been taking down serviceable sustainable but otherwise undistinguished flat buildings in the area north of its hospital, which has been creeping north from 58th St for some time. Continue Reading
Prentice Women’s Hospital April 2011
The most significant preservation battle in Chicago for some time has been the effort to save Prentice Women’s Hospital, a pioneering 1975 design by Bertrand Goldberg. It’s four-lobed curving concrete form is being imitated by the NEWEST hospital building in Chicago and I called it perhaps the first acknowledgement of the feminine in architecture. My colleague Anthea Hartig said “The forms at Prentice are in the same instant structural and sculptural. This is truly the unity of art and function, the continuing discourse of artistic and engineering expressions.” The building’s seamless integration of art and science is manifest in concrete cantilevers that pushed the lobes 45 feet beyond their base, a feat that took one of the FIRST applications of computers to aid in an architectural design. And it’s gorgeous. Continue Reading
Of Boots and Buildings: Musings on Modernity
a Barry Byrne church in Pierre, SD Photo by Katherine Shaughnessy
In three weeks I will be speaking at Modernism Week in Palm Springs; my last post “What Is Modern” got a ton of hits; and I have just finished a draft of the Barry Byrne book following my JSAH article (still free during February 2011 online) “Barry Byrne: Expressing the Modern in 1920s Europe” so I have been thinking about Modernism a lot. Barry Byrne wrote a letter to Lionel Feininger at the Bauhaus in the mid-1920s disparaging the term, and he was right: What does “Modern” mean, especially now that it is overwith and reborn as a nostalgic style courtesy of Mad Men and Dwell magazine?
So I have been trying to figure our another term for it, like “20th Century” or “Late Industrial” but none are adequate and we do have to recall that Barry Byrne and all of his friends like Mies and Oud and Corbu were actively proselytizing “modern” whatever the heck it was. It was a movement. It certainly lasted two-thirds of the 20th century and it had some formal consistencies like machined finishes and ornamental abstraction or negation, but as my article noted, there were lots of different modernisms from the revolutionary asceticism of Loos to the painterly formalism of Corbu, the expressive romanticism of Mendelsohn, and the reborn classicism of Mies. Continue Reading
Prentice Women’s Hospital, Chicago
The next great new building in Chicago is Perkins and Will’s new hospital building for the Rush-Prebyterian St. Luke’s Hospital complex on the Near West Side. The new building features a multi-lobed design rising above a square base, looming over the Eisenhower Expressway and expressing with its insistent curving form a humanism central to the successful medical relationship. It is new and exciting. Continue Reading
The Expense of Preservation
Preservation is often characterized as expensive. Why? Because it is a good excuse, even for the richest.
One of the preservation tragedies we have been awaiting these last few years is the demolition of Bertrand Goldeberg’s Prentice Women’s Hospital in Chicago, a mighty and evocative design from the 1960s, the last era of optimism. A Quatrefoil in plan, it took the stem-and-petals constructional idiom of Goldberg’s signature Marina City and evolved a powerful flower of a building, four cylindrical lobes of beautiful 60s concrete studded with rounded windows – for a guy Goldberg was pretty good at channelling the lost feminine tradition in Modernism and he was certainly an intellectual leader in recapturing that tradition from the Miesian hegemony.
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