The Culture of Heritage Conservation
What is the culture of heritage conservation and how has it evolved? I’ve spent over four decades in this field and have studied its earlier history as well, so I have some thoughts. In my current position, I see a lot of the history of this culture. Here I am in a mansion saved by a collector who donated that house and his phenomenal collection of over 12,000 items of fine and decorative art to the National Trust. Arguably that is the heritage conservation culture of the first half of the twentieth century, an antiquarian concern with preserving artistic treasures.
Walter Mathis, who restored Villa Finale, was part of this culture. A collector from childhood, he had an eye for fine and decorative arts and a collectors mentality. But he did more than save one house as a treasure and fill it with other treasures. He saved a whole neighborhood – restored partially or fully another 14 properties and even bought nondescript commercial buildings to help finance the preservation of his museum and the neighborhood writ large. Here are a few of the other houses he preserved:
Famously Walter Mathis found “like-minded” individuals to help him restore and occupy houses throughout the district. “Like-minded” meant they were urban pioneers of the 1960s and 1970s, people who valued a walkable historic neighborhood adjacent to downtown. People who were not enthusiastic about the shopping malls and sprawl housing that characterized the majority culture of that time. They may have been artists or collectors of art, but they were also urban pioneers, an evolution of the preservation culture that came before.
These cultural outliers and upstarts existed in every city, from New York’s Greenwich Village and Brooklyn Heights, to Chicago’s Old Town, Denver’s Larimer Square, Boston’s Beacon Hill and Back Bay, Charleston’s Ansonborough; from the heavenly bungalows of Pasadena and LA to the moss-covered staircases of landmark-laden New Orleans. In addition to residential districts like King William, Brooklyn Heights and Old Town, there were also districts that transformed industrial and commercial buildings into new urban pioneer communities, like the Third Ward in Milwaukee and LoDo in Denver. This was not simply an antiquarian culture. It added something new, but old at the same time.
In a sense, the culture of these historic districts reflected the old-time architecture, because the cultural values of the pioneers and early settlers were urban and urbane – the values of walkability, a life-work balance that emphasized community, and a community that emphasized working together to achieve things no individual or family could. Jane Jacobs commented on this in 1960, and Herbert Gans solidified it two years later. You could argue it was a reaction against the postwar culture’s invention of the nuclear family and its attendant zoning and transportation.
Successful historic neighborhoods are always highly organized, often with permanently staffed organizations. That began in King William in 1947 with the creation of the King William Conservation Association, which sought to save the old Victorian German neighborhood and preserve its original values. By 1967 there was a new King William Association made up of urban pioneers who wanted to raise families, restore houses, enjoy music and the arts and live in beauty and shade just minutes from downtown. The King William Conservation Association faded away in 1975, but the King William Association lives today. The culture has evolved.
They have festivals and promotions and events that cement the community culture and allow it to grow. King William has its King William Fair during Fiesta, but it also has its First Friday art walks. It has Ruby City art museum and the Blue Star arts complex, formerly an industrial site. In a city of parties, it is party central. And here we are and here I am.
Oak Park Commercial
My graduate student seminar this Spring at the Master of Science in Historic Preservation program is focused on historic districts: their history as an expression of community planning and their evolution as an aspect of the historic preservation movement. It builds on my dissertation, which argued that the historic district impulse is about community control in a much broader sense than the more refined motivation of architectural and historical building conservation. Mostly I focus on the residential neighborhoods where the movement has been prevalent over the last eight decades, places like Greenwich Village in New York and Old Town in Chicago.
This semester we had the opportunity to survey two commercial areas in Oak Park, the South Town district on Oak Park Avenue near the Eisenhower Expressway and Harrison Street, the arts district Oak Park has been promoting just north of said expressway along its eastern edge.
Chicago’s Old Town
Chicago’s Old Town was one of the city’s first historic districts, designated in the 1970s along with its neighbors Mid-North and Astor Street and Kenwood on the south side. Unlike its landmarked contemporaries, Old Town’s history and architecture were more modest. The landmark plaques on the streets describe a working-class German neighborhood and even today the enduring image of Old Town is a simple worker’s cottage, 1-2 stories high in frame or brick, perhaps with some decorative window hoods and brackets at the eave.
Architecturally, then, Old Town remains among the most modest of historic districts, and in a town that celebrated the modernist architectural narrative of Louis Sullivan, Frank Lloyd Wright and Ludwig Mies van der Rohe, Old Town offered little beyond a five-house row of early Adler & Sullivan townhouses. Daniel Bluestone reports the famous quote by Chicago’s first preservationist, Earl Reed, and Old Town resident who lamented that his neighborhood “exhibited not even a hint of the International Style in Architecture.” It was like Greenwich Village in New York, a bit of an architectural mongrel, but still a place with a strong “sense of place.” Continue Reading
Dolkart’s Row House Reborn
Near Bleecker Street, Greenwich Village. Photo copyright Felicity Rich 2006.
I just finished reading Andrew Dolkart’s new book “The Row-House Reborn: Architecture and Neighborhoods in New York City, 1908-1929” (Johns Hopkins 2009) and I loved it. Dolkart tells a story that is fascinating from several perspectives in the history of building conservation, and he tells it very well. The book springs from a simple fact: people started rehabbing rowhouses in New York (and elsewhere) in the early 20th century. Sometimes these rehabs respected the original exterior of the buildings, essentially following current preservation practice for locally designated historic districts. Sometimes they heavily altered the exterior, following emergent fashions for “Colonial” or Mediterranean renaissance stylings. This involved chopping off no-longer fashionable stoops and window surrounds and other extraneous Victorianisms.
Owning in an historic district
I own a house in a historic district and last year I blogged about how thankful I was for that fact. Real estate is an asset whose value is largely external – it comes from its location, which is to say, its surrounding buildings and environment. Because my house is in a historic district, its value is assured. Economic studies for over 40 years have confirmed this fact in communities across the United States.
If you look at the history of historic districts – which I did in my dissertation – you find that the first modern historic districts emerged in the 1950s in communities that were concerned about drastic changes to their environment and thus the value of their homes. Urban renewal was one threat, which proposed outright demolition. The other threat was posed by postwar zoning ordinances, which dramatically increased density and thus owners of brownstones or single-family homes faced the prospect of massive highrises next door.
New
First a quick note about New Orleans, where many preservationists are hard at work trying to save the homes of this historic city. Last week, Associated Press reported on a survey of 114,127 damaged buildings in New Orleans. Of these, 31,662 had no structural damage, 79,325 had partial damage and 3,140 were tagged red, which meant they should be razed.
Two comments: 1. That is less than 3 percent. 2. The AP report notes that the majority of the red-tagged buildings were brick ranch houses built since 1940.
Score one for the old buildings! Continue Reading