Hull House Again

March 10, 2009 Chicago Buildings, House Museums, Interpretation, Vision and Style Comments (3) 2036

Well, I took my grad students to the Jane Addams Hull House Museum and Director Lisa Lee did it again – wowed everyone with her enthusiasm and creativity in reimagining what a house museum is. Not that Jane Addams’ Hull House was ever a typical house museum – preserved under duress during the construction of the University of Illinois at Chicago, the house was sort of a shrine to Addams herself and the institution she created, which still exists elsewhere. It was also subject to an absolutely bizarre restoration – you can see my 2003 research on the subject at http://tigger.uic.edu/htbin/cgiwrap/bin/urbanexp/main.cgi?file=new/show_doc.ptt&doc=834&chap=32.

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Hull House Revisited

October 3, 2008 Chicago Buildings, House Museums Comments (0) 1216

So I took my First Year Program Residential College Research Studio I class to Hull House on Tuesday. I blogged about Hull House in Spring 2007, gushing about how they were reinventing what it meant to be a house museum. Well, it is all true, thanks to Director Lisa Lee and her able staff, now including SAIC HPRES alum Weston Davey. We were there for “Rethinking Soup,” a weekly free soup kitchen-and-discussion session that fills the historic Dining Hall. Two programs on nutrition and food stimulated a participant discussion on everything from vegetarianism to sustainability. Books on the topic and crayons were in easy reach along with whole wheat rolls on the butcher-paper-covered tables. Several of my students spoke up during the discussion, which was excellent of them.

Our class also had another discussion on immigration, which the Hull House people set up via a visual language game – about 40 photos on the wall meant to start a discussion on immigration. Our group got into it well, and the students have a lot of such experiences, since many of their parents and even some of them were, in fact, recent immigrants. We of course toured the house, saw the latest in interpretation, which still includes the excellent public-participation component where visitors are asked to choose which of three captions should adorn the portrait of Jane Addams’ longtime companion Mary Rozet Smith. Continue Reading

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