The Über of Architecture
Small agricultural plots in Dali Dong village, Guizhou
Later this month I will be heading to Associazone Canova in Italy to participate in the 14th Annual Architectural Encounter so I am thinking about the future of architecture.
My three years in Silicon Valley have demonstrated the revolutionary transformation of human interaction and the infrastructure of our environment: the landscapes, pathways, and buildings we inhabit. The App Age of Über and Airbnb and Google has reprogrammed our normal relationship to goods; services, and to space itself. Interviews are carried out in coffee shops, coffee shops are in libraries, homes are hotels, cars are taxis and even clothing may not have a single owner. Clients are no longer fixed but fluid, and the key design element for future resilience will be in fact fluidity: the space, the plot, the wall or the wearable that can adjust to the next radical disruption.
As a human society we are arguably moving away from the settled lifestyle we pioneered 11,000 years ago when we shifted from hunting and gathering to agriculture. Continue Reading
A City Cannot Be A Work of Art
Hey it is the end of January 2012 and I have only been home for four days this year and tonight my new seminar class meets for the first time, under the title above. It is a deliberately provocative title, although perhaps not as provocative as its source, Jane Jacobs’ epochal “Death and Life of Great American Cities” which was written 51 years ago and remains the touchstone for everything written about cities since, including the various recent books I have included in the syllabus.
I think I will pepper this blog with pictures of actual cities, although like mirrors and magazines and popular television shows, the actual way things look has a lot less effect than too-perfect ideals. The history of city planning is the history of dreams with the “magic to stir men’s (sic) blood” as Daniel Burnham said in the really important part of his famous quote. Continue Reading
Glaeser’s Triumph of the City
“Because the essential characteristic of humanity is our ability to learn from each other, cities make us more human.”
I finally read Edward Glaeser’s book The Triumph of the City and I liked it. I will assign it in my “A City Cannot Be A Work of Art” class next Spring. In some ways Glaeser is a standard issue neoliberal economist, decrying government regulations, especially landmarks laws. At the same time, he is a champion of Jane Jacobs and of cities in general. He recognizes the concentration of creativity – human capital – that can happen only in cities and he decries the massive government subsidies for roads and mortgages that fueled the abandonment of cities for sprawl in the second half of the 20th century.
Managing Change, or We Are Technology
Little Black Pearl, 47th & Greenwood, Chicago
Managing change is what the historic preservation/heritage conservation field does. It is not about preserving “the past” or old buildings but repurposing significant elements of the past environment for future use.
Modern historic preservation in the United States dates from the 1960s, and it came up in an era of “new history” that replaced the old political history (wars, leaders, battles, boundaries) with a history that tried to convey what was happening to most people in their social and economic everyday. In a sense, history – as an academic discipline – was catching up with the globalization that industrial capitalism had launched at the time of the American Revolution in the late 18th century. In the old history, agency – what makes things happen – was leaders and battles, etc. Agency in the new history had much broader social and economic dimensions. As my favorite Leeds musical group sang way back in 1979 “It’s Not Made By Great Men.” Continue Reading
Jane Jacobs Dead
Jane Jacobs, whose 1961 book The Death and Life of Great American Cities whupped the ass of the architectural and planning establishment, has died. Jacobs wrote until the end of her life, just a week before her 90th birthday, but that first book was the barn-burner. “A city cannot be a work of art.” She said, and italicized it to make sure we got the point. The city is organic, said Jacobs. You can’t plan it.
Jacobs emerged as a community activist who took down (an already wounded) Robert Moses and launched the concept that neighbors had a right to say how their neighborhood looked and what should go in it. A fifty-year history of urban planning as an elite, expert enterprise ended on Hudson Street in Greenwich Village when Jacobs systematically disemboweled the “Radiant Garden City” of Howard, Burnham, LeCorbusier and Moses.
A housewife and mother who pulled apart the metalogic of urban planning. She wasn’t just against urban renewal – she understood it better than its proponents. My favorite part of Death and Life –which I assigned in my seminar this semester – is near the end when she exposes the pseudo-science of urban planning. Twenty years earlier Sigfried Giedion’s Space, Time and Architecture had trumpeted modern architecture and planning as an expression of the new Einsteinian understanding of space and time. Jacobs exposed this as a rank falsehood. Continue Reading