I am barely back in Chicago and another great Modernist masterpiece is going down. I just reviewed the 372 page RFP for the demolition of Malcolm X College on the Near West Side, a 1971 Miesian design by Gene Summers, and generally considered his best building after his McCormick Place of the same year. Summers had been Mies van der Rohe’s design assistant on the Neue National Gallery in Berlin. Here is the beauty of the facade. I was interviewed by the great Lee Bey on his podcast regarding this.
Small agricultural plots in Dali Dong village, Guizhou
Later this month I will be heading to Associazone Canova in Italy to participate in the 14th Annual Architectural Encounter so I am thinking about the future of architecture.
My three years in Silicon Valley have demonstrated the revolutionary transformation of human interaction and the infrastructure of our environment: the landscapes, pathways, and buildings we inhabit. The App Age of Über and Airbnb and Google has reprogrammed our normal relationship to goods; services, and to space itself. Interviews are carried out in coffee shops, coffee shops are in libraries, homes are hotels, cars are taxis and even clothing may not have a single owner. Clients are no longer fixed but fluid, and the key design element for future resilience will be in fact fluidity: the space, the plot, the wall or the wearable that can adjust to the next radical disruption.
As a human society we are arguably moving away from the settled lifestyle we pioneered 11,000 years ago when we shifted from hunting and gathering to agriculture. Continue Reading
Demolition has started on the old Main building at Michael Reese Hospital, the 1907 Schmidt Garden Martin building which was the ONLY one that the city was planning to preserve, despite the presence of 8 Walter Gropius designs on the hospital campus. Then in the last few months, the city admitted that the building – which it has owned for over a year, was in severe disrepair and further endangered by squatters, which is a hell of a stewardship model if you ask me. With ownership come basic responsibilities. Check out Lee Bey’s recent blog.
Field memorial, Daniel Chester French, Graceland Cemetery, Chicago
The latest issue of Forum Journal (from the National Trust for Historic Preservation – you can join here.) has an article questioning the 50-year rule. The National Register of Historic Places was created in 1966 and shortly thereafter the Park Service promulgated policies for listing properties on the National Register. Eight categories of properties have to jump some more hurdles to become landmarks: birthplaces, gravesites, cemeteries, memorials, relocated buildings, reconstructed buildings, houses of worship, and buildings less than 50 years old.
Now, first it should be noted that I can name properties in each of those categories that ARE on the National Register of Historic Places, but they had to prove extra significance. Continue Reading
Most people think of the School of the Art Institute of Chicago as the institution that resided above and below the museum it gave birth to over a century ago. Yet for over 30 years the school has had its own building and in the last 20 years the School has grown even more, filling five different buildings in the Loop and occupying space in even more.
All photos courtesy Landmarks Illinois, 2008.
The biggest news over the weekend was the incredible flooding throughout the state and the two feet of water and mud that soaked the interior of Mies van der Rohe’s Farnsworth House in Plano. I am doubly responsible for this landmark, which is owned by the National Trust (I’m on the Board) and operated by Landmarks Illinois (I’m on the Board). The immediate hit is coming to Landmarks Illinois, which will lose $60,000 in tour income in the coming months – the height of the tourist season. It is tragic that this disaster occurred at all, doubly tragic that it occurred at the start of the two best tourism months in Northeastern Illinois – September and October. Continue Reading
I had a morning meeting of the Steering Committee for the Farnsworth House, the stunning glass house built in Plano, Illinois by Ludwig Mies van der Rohe in 1951. (You can see it on the LPCI website link at right) The house was famously sold at a Sotheby’s auction in December 2003. LPCI and the National Trust hooked up and bought it for over $7 million, saving it from a potential move out of state.
The house is a marvel. Yes, its style is modernist, its materials glass and steel, its entire perimeter floor-to-ceiling glass, but the emotional effect on the visitor is a Greek temple. It is mathematical perfection sitting in the natural perfection of the Fox River floodplain, a perfect little symphony of white I-beams, travertine and spartan, sculptural furnishings. Neither too many notes nor too few. No wonder it was auctioned off like a work of art- that is what it is. Continue Reading