Notre Dame. Machu Picchu. Easter Island. San Antonio Woolworth. We are in good company.
The Woolworth Building was the heart of the first voluntary and peaceful integration of lunch counters in the South achieved a place on the World Monuments Fund Watch List 2020. #WorldMonumentsWatch
The list includes 25 sites around the world, from more than 20 countries. The San Antonio Woolworth is one of three in the U. S., and one of only seven featured in the World Monuments Fund video of the Watch List.
Why? Because the Woolworth Building in San Antonio tells the story of unique moment during the Sit-In movement when a community decided to integrate before any demonstrations were held. It is a story that Jackie Robinson, in town two days later, said should be told around the world. Today the story is finally being told around the world.
It was another big week for the Woolworth Building, with our prize winning ofrenda to NAACP Youth leader Mary Andrews, who spurred the integration over the weekend and the World Monuments Watch announcement on Tuesday. It was like May when we announced our compromise plan for Alamo Plaza one day and secured State Antiquities Landmark Status a few days later!
Kudos to the Coalition for the Woolworth Building, which includes the local branch of the NAACP, The Esperanza Peace and Justice Center, the San Antonio African American Community Archive and Museum, the Westside Preservation Alliance, and many more. You can read about the Coalition here.
November 7 UPDATE: Great coverage from the Toronto Star this week!
Also a nice local TV spot from Kens5.
NOVEMBER 23 UPDATE: San Antonio Express-News editorial endorses preservation of the Woolworth Building!
NOVEMBER 26 UPDATE: Elaine Ayala writes an open letter to Phil Collins!
This weekend there is an ofrenda honoring the life of Mary Lilian Andrews, the 17-year old Our Lady of the Lake student and youth NAACP President who spurred the integration of lunch counters in San Antonio. Just a month after the first sit-in at Woolworth’s in Greensboro, NC, she wrote to seven downtown lunch counters urging integration.
A mass meeting was held a week later and demonstrations planned for Thursday, March 17. City, business and religious leaders got together on Tuesday and the lunch counters were integrated Wednesday without incident. Two days later Jackie Robinson spoke at La Villita and compared San Antonio’s achievement to his integration of Major League Baseball.
In a Page 1 New York Times article on March 20, 1960, Robinson said what San Antonio did was a “story that should be told around the world.” For her part, Mary Andrews was photographed getting a Coke at the Woolworth’s lunch counter in the March 31, 1960 issue of Jet magazine.
Mary Andrews sadly passed away 20 years ago but the Coalition for the Woolworth Building worked with her family to develop the ofrenda, aided by artist Chris King and spearheaded by Beth Standifird of the Conservation Society of San Antonio. Even her Alpha Kappa Alpha sorority contributed.
The top of the ofrenda is designed to mimic the cornice of the famed 1921 Woolworth Building, which became a State Antiquities Landmark in May.
Papel picado banners down the side spell out “Civil Rights”.
The front of the ofrenda is designed like the Woolworth lunch counter, complete with salt and pepper shakers, Woolworth’s menu and representations of the legendary Woolworth’s donuts. The “Woolworth’s” legend on the sidewalk at the entrance (still visible on Houston Street) forms a floor in front of the altar.
Mary’s other passions, from piano to Ford Mustangs, are also represented, along with a multitude of flowers and lights.
Placemats with calaveras quote the letter Mary wrote to the lunch counters nearly 60 years ago.
Members of the Coalition and the local branch of the NAACP will be on hand today to answer questions about Mary. We are located right on Alamo Street south of Nueva right at the entrance to the Muertos Fest.
Please come visit during the free festival this weekend and vote for our ofrenda!
For more about the Woolworth Building effort, see The Conservation Society website here!
SUNDAY NIGHT UPDATE: Our ofrenda won second place!
It’s July in San Antonio, which means it is probably hot and it is definitely time to demolish landmark buildings. In addition to the unexpected demolition of the G.J. Sutton Building which began last week without an alibi, this week we are also witnessing the needless removal of two homes on Evergreen near Tobin Hill that are going to be replaced by nine units. (Nine? You have two buildings PLUS a vacant lot and you can’t manage nine units by rehabbing? What development school did you go to?)
To add a heaping schlag of cruelty to this demolition sachertorte, they have little kids cheering the demolition of the 1915 Beacon Hill School. Sad. The School District promised to rehab the building three decades ago, let it rot that whole time, and then manipulated schoolchildren and their parents into calling for its demolition by putting up an unnecessary fence and pretending the building was a hazard to the nearby playground.
In another era, that would be called lying. Anyway, there were the kids in cute little hardhats, egging on the claws and dumptrucks and firehoses.
Who is responsible? The Sutton Building was a State decision that excluded the City. Evergreen and Beacon Hill were City Council decisions, and Almaguer was a Historic and Design Review decision. Meanwhile, check out this heat map showing demolitions near the Tobin Hill and Monte Vista historic districts.
So, come to San Antonio in the summer! Where else can you get so many different and delightful demolitions going on at the same time? The sun might feel hot but we got lots of fire hoses running round the clock!
I was quoted in the news several times this week, thanks to the sudden demolition of the 1912 G.J. Sutton Building on the East Side, as well as the unanimous vote to demolish the 1958 Almaguer Dance Studio at Woodlawn Lake. Both cases were exercises in Bad Excuses.
The Sutton Building demolition began suddenly and without warning. In fact, when a community member emailed us Tuesday afternoon saying it was being demolished, we prepared to forward a news article from the weekend that indicated it would be rehabilitated. But, by then, several news reporters had discovered that the opposite was true.
The building is owned by the State of Texas, specifically the Texas Facilities Commission. After rejecting several bids from developers who would have saved the solid brick structure, they decided to proceed with remediation and demolition. The state does not even have to get local demolition permits, so there was no warning. Not even the local officials elected to represent the interests of the East Side knew. There were, however, Bad Excuses.
The worst of the Bad Excuses was the kind of bureaucratic insanity that makes people want to get rid of government. Remember I said there were bids from developers who would have saved the property? Well, the Texas Facilities Commission can’t do residential, and the three bids (18 months ago) included developing residential uses.
That’s nuts. Transfer the property to another agency. Sell it to the city. Sell it to the developer without a plan. Change whatever regulation caused that. This building served as an industrial site before G.J. Sutton, the first black Texas legislator from San Antonio, championed its transformation into a state office building. Why can’t its next reuse include residential?
The Bad Excuses continued with the familiar environmental shibboleths of lead paint and asbestos and even mercury switches to make it a perfect trifecta. I wrote about these bad excuses nine years ago here. Simply put, the more you demolish, the more you have to remediate.
Not only that, but the state is paying millions to do the abatement and demolition rather than putting those expenses on the final buyer, an expensive decision County Commissioner Tommy Calvert questioned in an article Tuesday.
And then there is everyone’s favorite Bad Excuse: It’s too expensive. Huh? The private developers (more than one!) who bid on the site could have taken advantage of state and federal tax incentives totaling 45% of rehab costs. This Bad Excuse is usually accompanied by numbers that show how expensive it would be to rehabilitate. To be safe, you should always go with $300 a square foot. That’s what you tell the engineers when you hire them.
Heck, you don’t even need to get an official report. It is 2019 after all, so evidence is hardly necessary – just make the claim. That’s what happened with the 1958 Almaguer Dance Studio, which the Historic and Design Review Commission voted to demolish on Wednesday. We met with the Parks Department about their demolition plan months ago and they showed pictures of cracks and leaks.
Well, you can do that with any building. It is a Bad Excuse. We told them at the time we have seen many worse buildings brought back. We wanted to see actual evidence, but none was forthcoming. It obviously was a safe and sound building hosting dozens of classes where people dance about.
The decision ultimately turned on the desire for upgraded dance studios with sprung floors and a new community center. That was translated into “unreasonable economic hardship” during the hearing, which is another Bad Excuse. There is actually a standard for this – “reasonable rate of return” which doesn’t really apply to public entities.
So, this week, the tale of two governments who tore down landmarks while serving up nearly the full portfolio of Bad Excuses. Retain for future reference.
“The U.S. Civil Rights Trail was designed to motivate people to learn more, see more and feel more. The website can tell the stories, but the emotional weight of those stories cannot be fully absorbed without standing in the exact spots where sacrifices were made and the direction of history was changed.”
The Civil Rights Trail combines sites that have been significant in the battle for Civil Rights, especially the 1950s and 1960s. Launched in January, 2018, the Trail includes over 100 sites in 14 states. Given the incredible popular success of the National Museum of African-American History and Culture and the fact that Civil Rights tourism is a growth sector demanding honest history, the identification and interpretation of such sites promises to be an economic boon to communities where these resources are located.
In San Antonio, we have the story of the first voluntary and peaceful integration of a Woolworth’s lunch counter on March 16, 1960, a story that Jackie Robinson said “should be told around the world.” He was quoted in the New York Times on March 20, 1960, but the story did not have the “legs” of the more confrontational protests in other cities.
In addition to Woolworth’s the sites of the Kress, H.L. Green, Grant’s, Sommers and Neisner’s stores survive, sans lunch counters. The beginnings of a Civil Rights trail are right in front of us, although the concern is that at least two of these could disappear soon.
Thanks to local landscape architect and historian Everett Fly, more overlooked sites in San Antonio are now being uncovered. You could see markers for the Rincon School near the River Walk, but Fly’s work has really illuminated the importance of downtown – notably Alamo Plaza, in a struggle for equal rights that goes back to the early 1880s.
The challenge now is to bundle these sites – and many more, into a package that can attract tourist investment. In San Antonio we already have the largest Martin Luther King Day march, active contingents of Buffalo Soldier interpreters, and Everett Fly’s impressive research into African American cemeteries.
The opportunity is there. The question is: Do we embrace it?
San Antonio has a unique history in the Civil Rights movement, but it is not known because it is characterized not by conflict, but by its absence. The tradition continues to this day with the nation’s largest Martin Luther King Day March. Approximately 300,000 participants annually.
This year, a new Coalition for the Woolworth Building participated in the march and had an information booth in the park afterwards. The Conservation Society is a member along with the San Antonio African American Community Archive and Museum and Esperanza Peace and Justice Center, among others.
As the banner notes, what happened in San Antonio in 1960 was different.
- February 1, 1960 – four students stage a sit-in at a segregated Woolworth’s lunch counter in Greensboro, North Carolina. Protests and violent reactions pepper the nation in the following weeks.
- March, 1960 – OLLU student and NAACP member Mary Andrews sends letters to downtown lunch counters requesting equal service. NAACP holds rally Sunday March 13 and asks for desegregation by Thursday March 17.
- On Tuesday, March 15 civic, religious and business leaders meet and agree to desegregate Woolworth’s and six other lunch counters.
- Wednesday, March 16, 1960. Photographers descend on Woolworth’s in San Antonio as blacks and whites are served equally at the basement cafeteria and lunch counter
- March 19, 1960. Jackie Robinson calls the voluntary integration “a story that should be told around the world” and compares it to his integration of Major League baseball in a Page 1 New York Times story
There were places – Corpus Christi, Oklahoma City, that integrated their ,lunch counters earlier, but only following protests and confict. San Antonio proceeded differently.
Woolworth’s location gave it special significance. Nettie Hinton recalls buying the “big donuts” at Woolworth’s prior to catching the bus to the African-American East Side. Indeed, the corner of Alamo and Houston was where the cultures of San Antonio met and separated – Hispanics to the west, African Americans to the east, and Anglos to the north.
The story is not well known, despite Jackie Robinson and the front page of the New York Times because there was no violence. The old news media saying “If it bleeds, it leads” could find no purchase in the soil of San Antonio, so the story was not “told around the world” as Robinson pleaded.
Although it could be still! In fact, Civil Rights sites are one of the few growth areas in tourism, as reported recently. This Civil Rights site is an opportunity for San Antonio.
What’s Not There
Now, the threat to the Woolworth’s Building since 2015 has been that it sits atop the site of the west wall of the Alamo compound, potentially the site of Travis’ quarters during the epochal 1836 battle.
Yesterday someone said to me: “But the lunch counter is gone – there is no remnant of it.”
The same is true of the western wall and Travis’ quarters. Nothing left of them. The buildings there have basements, so it’s all gone. No remnant.
So which do you interpret?
Both, obviously. And you have tons of room inside the Woolworth Building to do that.
See my 2018 blog on the Woolworth Building here.
The Woolworth Building has been nominated as a State Antiquities Landmark, to be heard by the Texas Historical Commission on April 16. You can voice your support by contacting Mark Wolfe, Executive Director, Texas Historical Commission, P.O. Box 12276, Austin, TX 78711, Mark.Wolfe@thc.texas.gov
Also, check the Conservation Society website for updates!
Minneapolis just eliminated single-family zoning, and Oregon is considering the same for its cities. The goal is to increase affordable housing and redress a century of racial bias undergirded by said zoning. Planners are excited by this trend and see more of it on the horizon.
San Antonio just reformed its zoning code to include R-1 and R-2 zones, because our old zoning allowed high density pretty much everywhere. The new R-1 and R-2 zoning will help low-density core neighborhoods and historic districts by encouraging appropriate infill. So, with all of the current City Hall concern with affordable housing, why are we doing the opposite of what Minneapolis did?
The contrast with Minneapolis is actually not as dramatic as it seems. Not only is San Antonio more affordable in general, it is not landlocked like Minneapolis. Plus the zoning in Minneapolis was actually, really “single family.” In contrast, even our new R-1 and R-2 districts could see 2-3 units on a lot. King William, the oldest historic district in Texas, is full of accessory units and always has been. In fact, one of our highest priced houses was once seven apartments:
At the San Antonio Conservation Society we meet regularly with neighborhood representatives, and in a recent meeting we learned the difference between density and intensity. We tend to think only of the former, but look at the little two-story apartment building below. It has been in the heart of the King William district for decades and is incredibly dense – something like 126 units per acre. But it is not intense. It fits in.
Now look at the development below, which is less dense, but more intense.
After the meeting, I shared a project from Oak Park, Illinois about a dozen years ago. Two historic houses built in 1875 and 1908, the latter actually a two-flat. The owners proposed ten units over parking massed up front toward the sidewalk. Super intense.
Since it was in a historic district, the demolition was not allowed, and today the two houses look the same as they did before. Better, actually.
So did preservation mean gentrification? Nope. Turns out you are looking at seven units. You just can’t see them unless you get right up to the buildings and look into the back. What preservation meant was that density was increased without increasing intensity.
In fact, Oak Park’s Long Range Historic Preservation plan way back in 1994 encouraged accessory units and coach houses as a way to maintain the historic character of the area. Preservation is about improving development, not opposing it.
There was some more interesting news out of Chicago this week when the city landmarked the Mexican-American neighborhood of Pilsen, with the specific intent of preserving its vernacular architecture and its culture. They are crafting a historic district with the specific goal of preventing gentrification.
Got it? Yes, you heard that right.
Chicago combined landmark designation with a five-year Affordable Requirement Ordinance (ARO) and an arrangement with Chicago Community Land Trust to reduce property taxes. Crucially, the effort is focused not just on architecture but also the distinctive culture of Pilsen.
This is something we have been working on in San Antonio for a few years , notably with the City’s Living Heritage Symposia that the Conservation Society has supported. Cultural heritage conservation is the leading edge of our field, and it is exciting to see how various communities are developing new tools to achieve it.
It is also nice to see an end to the 35-year old myth (shibboleth, perhaps) about preservation and gentrification. I was asked the question by news reporters when I came to San Antonio in 2016 and I said what I always have said – gentrification and its definable cohort – displacement – is a much bigger phenomenon than historic districts.
Let me be clear – when preservation emerged as a form of zoning in the 1920s, it was used to exclude minorities and preserve wealth, just like single-family zoning.
But that was no longer true by the 1980s, when preservation had been inflected by the 1960s community planning movement, permanently altering its character. Someone wrote a dissertation about this 🙂
Yes, there were historic districts that gentrified. There were also historic districts like Wicker Park in Chicago that slowed gentrification while nearby unregulated areas saw values double or triple in a year’s time.
This week San Antonio extended its housing incentive program, to the cheers of some and jeers of others. There are different opinions about whether the tools work or not. San Antonio is shrinking the target area and adding an affordable housing fund following concerns that the incentives were being used for more upscale projects.
As someone has commented regarding the Pilsen plan, there are always unintended consequences of incentive programs, whether financial or regulatory. IDZ zoning was intended to provide affordable housing in inner-city areas and after a decade became a default for developers trying to avoid various regulatory requirements.
Real estate development always follows public subsidy – from roads and sewers and trails to zoning and funding incentives. The Pilsen experiment includes industrial job goals. It also includes a recreational trail and policies designed to allow the trail to improve the community without increasing values too much. The obvious parallel here in San Antonio is the RiverWalk, especially the Museum Reach, which together with the Pearl has spurred a flurry of development.
The Mission Reach has potential for the South Side, and another piece of that puzzle was added this week with the Mission Historic District Design Guidelines. Like the Pilsen landmarking, these will help conserve an architectural vernacular particular to a place and a people.
These various efforts demonstrative how much the preservation/heritage conservation field has evolved a lot in the last 35 years. Zoning has certainly changed significantly in the last century. Most importantly, the goals have shifted in the wake of urban revitalization. Time will tell whether these various programs work toward the new goals of affordability and amenity or have unintended consequences.
This will be a primarily visual blog highlighting some of the heritage sites I saw this past month which I had not seen before. First is the Tuberculosis sanitarium houses on Zarzamora here in San Antonio.
Built starting in 1938, this complex of a dozen buildings features red tile roofs and southwestern style sun-baked wall finishes. TB patients would each get a small cubic house with plenty of windows and really sweet architectural details.
Gotta love a real steel casement window. They rolled that steel 7 or 8 times to get those delicate profiles. Nothing like it today.
University Health Systems owns them and uses some for offices and some for storage. We are hoping that several can be preserved in the long-term, focusing on those built in the 1938-48 period of initial construction. The overall feeling is like you are on a 1920s silent movie set!
We also got to tour the Sisson House, a very early house adjacent to the acequia at Mission San Jose. The American Indians in Texas are planning to create their museum there. The house is owned by the National Park Service.
The fun part here is trying to figure out which section was built when. There are two structures, and parts of the main house here appear to be wood, but a rear portion is stone and/or caliche block.
Did they take stone from the abandoned mission and build an addition? The rear building has a surprisingly deep basement – was it built first? I love these kind of forensic escapades with knowledgeable historic architects around as we debate potential answers.
Even the double munched standing seam metal roof has a curious proportion on the shed addition.
The next treasure is in Billings, Montana and it is a house museum. I have seen many, many house museums, but the Moss Mansion in Billings is really something. Built in 1903 and designed by Henry Hardenbergh of Manhattan’s Plaza Hotel and Dakota Apartments, this house was an exercise in architectural styles, beginning with the insanely detailed Moorish foyer:
To the left is a library so paneled and English that is has a stained glass window of William Shakespeare, while to the right is a room so French and pink you expect Louis XIV-XVI to materialize out of thin air.
The level of architectural detail is really off the hook – this house did not do a wall finish, but a wainscot, a wall finish, a crown finish and a relief plastered ceiling in every room in every style. Here is the parlor beyond the library in a Nouveau style:
The crown molding here in the study is about 8 inches high and 4 inches deep
Not only is there a massive bathroom on the second floor with tile all over the floors and walls, but even the ceiling is tiled with rosettes at every corner:
horror vacui non potest
Dining room detail. The other side of the room has stained glass.
Not only did they have the first telephone in town (and owned the company, if memory serves) they also had electric hair curlers in every bathroom, and massive ice boxes in the pantry.
This house survived because it stayed in the family until the 1980s. Reminds me of the Maverick Carter House here in San Antonio, which is STILL in the same family, has a similar vintage and a similar Richardsonian Romanesque exterior.
Entry, Maverick Carter House, San Antonio
I actually toured that one back in August, so it doesn’t count for September.
Here’s me with Stephen Cavender at the Audi Dominion, which replaced a Robert Hugman house that was not known at the time. We are standing by a plaque recalling the house and there is an area that uses stones from the property to create a small rest area whilst the house outlines are traced on the lot.
Finally a wonderful courtyard with a tile waterfall design from O’Neil Ford’s incomparable Trinity University, listed on the National Register of Historic Places this year and the site of the city’s second Living Heritage Symposium! That deserves another blog…
In October, 1939, San Antonio passed the La Villita ordinance to preserve its oldest neighborhood, stating boldly:
RE-CREATING “LA VILLITA” AS A PROJECT OF SAN ANTONIO: PROVIDING FOR ITS RESTORATION, PRESERVATION AND CONTINUATION; ENUMERATING CERTAIN IDEALS, HOPES, AND PURPOSES: SETTING FORTH IN NARRATIVE FORM SOME OF ITS INTERESTING HISTORY; AT THE SAME TIME ORDAINING THAT VILLITA SHALL NOT BE A DEAD MUSEUM FOR MINCING SCHOLARS, BUT A PLACE FOR THE LIVING, AND THOSE NOT YET BORN.
Whoa. They actually repeated the line about mincing scholars in the ordinance itself, with an illustration comparing the mincing scholar to a jitterbugging couple, adding “Moreover, there are more jitter-bugs than scholars.”
The Cos House, one of the first seven La Villita buildings restored 1939-41.
La Villita was and is to be a collection of historic buildings selling crafts, thus preserving handcraft traditions as well as buildings. Nearly 80 years ago San Antonio was trying to save its intangible heritage through legislation – for the people, not scholars! The ordinance said it was “always aiming to meet the needs of TODAY and TOMORROW, ”
Bolivar Hall – they also named all of the 1941 sites after Latin American heroes – Bolivar, Juarez and Hidalgo, to promote peace and trade. “Promotion of World Peace” was a stated purpose of the ordinance.
The San Antonio Conservation Society had a key role in all of this. After the WPA money ran out, the City implored the private Conservation Society to purchase more buildings, extending the crafts village another block to the east with the purchase of the Dashiell and Bombach houses in 1942 and 1949. We still own these.
Dashiell House today
Otto Bombach House, home to Little Rhein Steakhouse since 1967.
The crafts village had working tile kilns and even today you can see soap made there, along with other handmade items, since that jitterbugging 1939 ordinance is still in effect. (As a scholar, I try to limit my mincing when in La Villita.)
Entrance to Plaza Juarez, La Villita. The cannon may help discourage mincers.
The City also asked the Conservation Society to move its harvest festival from Fall to Spring and from the River to La Villita to help bolster the craft village. So we did that in 1948. And again the next year and the year after. This year we celebrated our 70th A Night In Old San Antonio®, the signature event of Fiesta, in La Villita.
NIOSA opening parade, 2017.
With as many as 15,000 volunteers and over 80,000 attendees, NIOSA® is huge by any standard, and it explicitly hearkens to the variety of cultural inheritances of the city, from Native American and Spanish to African-American, Asian, Mexican, German, French and more. It is appropriately decked out with paper flowers and cascarones made by yet more volunteers. After 70 years, it is itself an important cultural tradition and inheritance.
NIOSA volunteers meet every Thursday morning. Year round. 50,000 cascarones don’t make themselves.
The event itself has to be experienced to be believed. Crowded. Colorful. Steamy. Fun-loving. Every kind of meat on a stick. Standing in line for tortillas. Music and crazy hats. Not a mincing scholar in sight.
The final quadrant of La Villita, Maverick Plaza did not come into being until various commercial and industrial buildings there were demolished in the 1960s. This is the biggest part of NIOSA and it is also the site for 3 new restaurants in the coming years. The economics of the craft village have been challenging, and now the City is asking Chef Johnny Hernandez to help make it a culinary destination.
This approach – and the whole history of La Villita, will make for an interesting discussion at the second Living Heritage Symposium being held by the Office of Historic Preservation on September 5-7, 2018.
The first symposium last September brought international experts from around the world and country to discuss new approaches to preserving culture that have little, if anything to do with architecture. The Office of Historic Preservation, led by my longtime friend Shanon Miller, has already jumped in to these new approaches with its Legacy Business program.
Del Bravo Records on Old Highway 90 – a Legacy Business.
Susan West Montgomery of the National Trust for Historic Preservation told us today that San Antonio and San Francisco are the only cities really dealing with the issue of living heritage.
That is cool to hear. Those are the places I’ve been living the last six years.
One of them has weather. The other does not.
It’s great that San Antonio is on the cutting edge of preservation in 2018, but as we saw above, that was equally true in 1939, when they already saw the end of living history re-enactors and urged not simply preservation of buildings, but the “continuation” of building and craft traditions that would engage the next generation.
It is enough to make this mincing scholar break into a jitterbug.
Are they making a state park in the middle of the city? With a 130,000 square foot museum? Fencing off the San Antonio’s most important public space?
This is the Piazza Navona, one of the world’s great urban spaces. It sits on the site of the Roman Circus. There is no need to recreate the circus, or wall it off. The use of that space by the public connects it back 2000 thousand years and forward another 1000. It is alive, not covered by glass or shrubs. Alamo Plaza is our Piazza Navona. They are almost the same size and scale.
Last year’s Master Plan envisioned glass walls around the Alamo Plaza. This year’s Interpretive Plan reduces the walls to fences and shrouds them in shrubs, but the goal is the same. Manage – and likely monetize – the space. Since both plans have this attribute, the order is clearly coming from the client, not the designer.
No more sneaking in
Public meetings are going on now to take stock of this interpretive plan. Bottom line? Every San Antonian has the right to take a selfie in front of the Alamo at 1 A.M.
Or 7 A.M.
We at the San Antonio Conservation Society are circulating a petition focusing on access to the plaza and the buildings that face the Alamo. We have been fighting for these buildings since 2015 when the state bought them, and a year ago, we thought we had won! Last year’s Master Plan had the Crockett, Palace and Woolworth’s Buildings saved as part of the new museum. We supported that, along with the restoration of the chapel and Long Barracks, and the regrading of the plaza to create a more uniform space in the courtyard/battlefield. The City Council approved it. This year’s plan is different, and not in a good way.
Crockett Building on left, built the year before the Alamo was purchased by the state.
This is still the location of the big ‘ol museum. For our presentation, they showed keeping the front half of the Crockett Building, which would create an appropriately reverent transition from the courtyard/battlefield to the high-tech wizardry they are promising inside. They also had an illustration that demolished all three buildings.
The plan we saw removed the two other landmark buildings, including the Woolworth’s on the corner, site of the first voluntary peaceful integration of a lunch counter in the South (March 1960). All three are landmarks locally and listed on the National Register.
You can interpret both the lunch counter and the long-lost west wall of the compound inside the building. In the shade. Why is it always either/or? Designers know better.
The real irony here is that in the name of interpreting history, they suggest removing actual century-old historic buildings in order to replace them with modern versions of long-lost elements, like the wall. Replacing real history with fake history? Tossing actual historic fabric in the dumpster for a conjectural reconstruction?
The other big issue is access. Last year the plan closed Alamo Street in front of the Alamo. Now they are closing part of Houston Street to the north, Crockett Street, and the bit of Alamo between Market and Commerce. Access is limited to five gates. The planners are adamant that the Battle of Flowers parade and Fiesta Flambeau can’t parade in front of the Alamo? Why? We have a fence around Wulff House and we still let the Granaderos y Damas de Galvez do their living history there once a year. We take the fence down for a day and then put it back. That’s not hard. Why the bloodymindedness?
We okayed closing Alamo Street in front of the chapel a year ago, but now the closures have grown like kudzu and it seems there will be little northerly traffic through the downtown.
Unless they re-open Main Plaza. Just sayin’.
I still don’t get why no one has proposed restoring the chapel to the way it was during the battle.
In addition to the irony of demolishing actual historical things for reproductions, there is the irony of wanting to get rid of the “tacky” theme park-styled attractions that occupy the Woolworth’s and Palace Buildings, as well as more to the south. Yet walling off the plaza for heritage reenactment risks turning the whole thing into a kind of theme park like Colonial Williamsburg.
The amount of physical intervention proposed by this interpretive plan is really staggering. This is the 21st century – you don’t need the sort of physical interventions people were doing in the 1930s (like Colonial Williamsburg). Or 1960s. This is NOW. Augmented reality, programmable to the latest discoveries. Clean up, regrade and reprogram. No heavy machinery needed.
Looking at the key point where the March 6, 1836 battle turned – underneath the Post Office.
Check out my previous blogs on how actual tourists will be experiencing historic sites tomorrow. Don’t spend millions crafting something that will be silly in five years. Y’all can’t outdo Piazza Navona. That takes actual, continuous history, not a recreated circus.
Not the Alamo. Also not Piazza Navona, but it is a Roman ruin.
AUGUST 2 UPDATE:
Still no timeline for a revised plan, but they are releasing an RFQ for an architect for the museum and commissioning someone to evaluate the buildings in light of the Secretary of the Interior’s Standards for Treatment. The National Trust for Historic Preservation weighed in with a letter urging preservation of the buildings. The City Manager, Mayor, County Judge and Councilman Trevino have all gone public in support of preserving the buildings and keeping the plaza open, which are the two main points in our petition. And our petition now has over 6,200 signatures!
OCTOBER 1 UPDATE
We now have more information on the importance of the Woolworth’s Building (see my blog here) and a new August 2018 The Alamo Plan. It devotes six pages to the Crockett Block buildings, beginning with “Why can’t you retain the buildings on the west side of the site?” following with “This needs further study” and then “Retain multiple options until later in the design process” and then “Assess the Significance and Integrity” before two pages of structural diagrams showing how the floors don’t line up.
After reading these pages it is hard not hear Henry II shouting “Will no one rid me of this meddlesome priest?”
My blog also deals with the integrity and structural issues FYI.
Petition drive now concluded with about 7,300 total. City Council votes on October 18.